Women Rapping Revolution
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Women Rapping Revolution
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
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See moreDetroit, Michigan, has long been recognised as a centre of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilising a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project.
Focusing on the Foundation, a women-centred hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organising. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.
Series: California Series in Hip Hop Studies
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Women Rapping Revolution is praised for its thorough yet accessible analysis. Scratched Vinyl highlights the authors' ability to encapsulate the complexities of Detroit's hip hop scene while provoking thoughtful reflection on similar dynamics in other cities. The book deftly balances rich detail with insightful commentary.
Book Details
INFORMATION
ISBN: 9780520305311
Publisher: University of California Press
Format: Hardback
Date Published: 12 May 2020
Country: United States
Imprint: University of California Press
Illustration: 12 b-w photographs
Contributors:
- Foreword by Piper Carter
- Foreword by Mahogany Jones
Audience: Professional and scholarly
DIMENSIONS
Spine width: 20.0mm
Width: 152.0mm
Height: 229.0mm
Weight: 499g
Pages: 248
About the Author
Rebekah Farrugia is Professor of Media Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She is the author of Beyond the Dance Floor: Female DJs, Technology, and Electronic Dance Music Culture.
Kellie D. Hay is Professor of Cultural Studies in the Department of Communication, Journalism, and Public Relations at Oakland University. She has authored many articles about music, politics, and cultural identity, and specializes in critical qualitative methodologies.
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