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Michelangelo and the Viewer in His Time

Brief Description
In this engaging account, now in paperback, Bernadine Barnes uses new research to show how Michelangelo's art was seen in its own time. The original setting is reconstructed for works that have been moved, modified or left incomplete. Michelangelo's consideration of his audience changed throughout his... Read More
Format: Paperback / softback
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In this engaging account Bernadine Barnes uses new research to show how Michelangelo's art was seen in its own time.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

In this engaging account, now in paperback, Bernadine Barnes uses new research to show how Michelangelo's art was seen in its own time. The original setting is reconstructed for works that have been moved, modified or left incomplete. Michelangelo's consideration of his audience changed throughout his career: sometimes he produced work for conventional religious settings and at other times he was given unprecedented freedom by open-minded patrons. This book brings the viewer back into the development of Michelangelo's work and gives emphasis to the differences between viewers in specific settings.

Michelangelo lived in a time when the development of prints and published art criticism changed the nature of the viewing public in ways that foreshadow our own media culture. This book encourages today's viewers to take a fresh look at Michelangelo's work.

Series: Renaissance Lives

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Book Details

INFORMATION

ISBN: 9781836391616

Publisher: Reaktion Books

Format: Paperback / softback

Date Published: 11 August 2025

Country: United Kingdom

Imprint: Reaktion Books

Illustration: 70 illustrations, 55 in colour

Audience: General / adult

DIMENSIONS

Width: 138.0mm

Height: 216.0mm

Weight: 250g

Pages: 264

About the Author

Bernadine Barnes is Professor of Renaissance Art History at Wake Forest University, North Carolina. Her previous publications include Michelangelo's Last Judgment: The Renaissance Response (1998) and Michelangelo in Print: Reproductions as Response in the Sixteenth Century (2010).

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