Michelangelo and the Viewer in His Time
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
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See moreIn this engaging account Bernadine Barnes uses new research to show how Michelangelo's art was seen in its own time.
In this engaging account, now in paperback, Bernadine Barnes uses new research to show how Michelangelo's art was seen in its own time. The original setting is reconstructed for works that have been moved, modified or left incomplete. Michelangelo's consideration of his audience changed throughout his career: sometimes he produced work for conventional religious settings and at other times he was given unprecedented freedom by open-minded patrons. Michelangelo and the Viewer in His Time brings the viewer back into the development of Michelangelo's work and gives emphasis to the differences between viewers in specific settings.
Michelangelo lived in a time when the development of prints and published art criticism changed the nature of the viewing public in ways that foreshadow our own media culture. This book encourages today's viewers to take a fresh look at Michelangelo's work.
Series: Renaissance Lives
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
William E. Wallace of Washington University praises Barnesβs work as a "refreshingly original examination" that moves beyond the myth of Michelangelo as a solitary genius. Instead, it focuses on how both individuals and society responded to his art, paying close attention to the varied audiences who viewed, admired, and critiqued his creations.
Book Details
INFORMATION
ISBN: 9781780237404
Publisher: Reaktion Books
Format: Hardback
Date Published: 01 April 2017
Country: United Kingdom
Imprint: Reaktion Books
Illustration: 70 illustrations, 55 in colour
Audience: General / adult
DIMENSIONS
Width: 138.0mm
Height: 216.0mm
Weight: 250g
Pages: 264
About the Author
Bernadine Barnes is Professor of Renaissance Art History at Wake Forest University, North Carolina. Her previous publications include Michelangelo's Last Judgment: The Renaissance Response (1998) and Michelangelo in Print: Reproductions as Response in the Sixteenth Century (2010).
Also by Bernadine Barnes
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