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It's Not Personal
Post 60s Body Art and Performance
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It's Not Personal
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Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art?
Focusing on renowned artists such as Lygia Clark, Marina AbramoviΔ and Angelica Mesiti, Susan Best examines how bodies are configured in late modern and contemporary art. She identifies three main ways in which they are used as material and argues that these formulations allow for the exposure of pressing social and psychological issues.
In skilfully aligning this new typology for body art and performance with critical theory, Best raises questions pertaining to gender, inter-subjectivity, relation and community that continue to dominate both our artistic and cultural conversation.
It's Not Personal challenges readers to explore these themes, providing a profound examination of how the human form remains a powerful element in artistic expression.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Susan Best's It's Not Personal is praised for its elegantly simple structure and thoughtful exploration of post-60s body art and performance. The book, while concise and focusing on primarily Australian, Western European, and North American works, offers a rich depth of content that invites reflection and consideration. Best's reputation for intelligent and sensitive writing is upheld in this work, according to Art Monthly.
Book Details
INFORMATION
ISBN: 9781350144149
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 15 July 2021
Country: United Kingdom
Imprint: Bloomsbury Academic
Illustration: 36 bw illus
Audience: Tertiary education
DIMENSIONS
Spine width: 18.0mm
Width: 138.0mm
Height: 214.0mm
Weight: 280g
Pages: 208
About the Author
Susan Best is Professor of Art Theory and Fine Art at Queensland College of Art, Griffith University. She is the author of Visualizing Feeling: Affect and the Feminine Avant-garde and Reparative Aesthetics: Witnessing in Contemporary Art Photography (Bloomsbury, 2016).
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