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Hemispheric Integration

Materiality, Mobility, and the Making of Latin American Art
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Hemispheric Integration explores Latin American art from the 1930s and 1940s, highlighting how the region's role in the global economy shaped the production, collection, and interpretation of its art. Niko Vicario examines the influence of trade, geopolitics, and industrialisation, focusing on modernist artists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño. The book emphasises the physical and commercial aspects of art, linking raw material exchanges between Latin America, Europe, and the United States to the evolution of the concept of Latin American art itself.
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Format: Hardback
$9499
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for scholars and students of Latin American art, transnational studies, and cultural history, as well as readers interested in the intersection of economics and art in the Americas during the early 20th century.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America’s position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art’s relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition.

Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States.

An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art.

Series: Studies on Latin American Art and Latinx Art

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

CAA Reviews praises Vicario's original and thorough approach that intertwines the social history of art with industrial and trade dynamics. Hispania commends it as an excellent and lucid study of the sociocultural, economic, and political contexts shaping Latin American art. Latin American Research Review highlights its appeal across disciplines for advancing the understanding of Latin American abstract art within broader economic and cultural exchanges. Latin American and Latinx Visual Culture values the book’s focus on the materiality and mobility of artworks. The work is recognised as a swift and synthetic examination of canonical figures in the field.

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Book Details

INFORMATION

ISBN: 9780520310025

Publisher: University of California Press

Format: Hardback

Date Published: 07 April 2020

Country: United States

Imprint: University of California Press

Illustration: 40 color and 20 b-w illustrations

Audience: Professional and scholarly

DIMENSIONS

Spine width: 28.0mm

Width: 178.0mm

Height: 229.0mm

Weight: 1089g

Pages: 312

About the Author

Niko Vicario is Assistant Professor of Art and the History of Art at Amherst College.

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