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American Documentary Filmmaking in the Digital Age

Depictions of War in Burns, Moore, and Morris
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
American Documentary Filmmaking in the Digital Age explores how new audiovisual technologies have challenged traditional realist documentary conventions. Focusing on war documentaries by Ken Burns, Michael Moore, and Errol Morris, Lucia Ricciardelli examines shifts in historical narration and national identity shaped through digital media.
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Format: Hardback
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This book is suited for readers interested in documentary film, visual culture, historical narration, and the impact of digital technology on media representation.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris.

During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration. This transformation has forced historians to assess the impact of new visual technologies on the construction of history.

This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and examine the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions.

She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

Series: Routledge Advances in Film Studies

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  • American Documentary Filmmaking in the Digital Age
    American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration. This...
    Hardback
    $37600
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    Ships in 4-6 weeks
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    Since its inception, cinema has evolved into not merely a 'reflection' but an indispensable index of human experienceβ€”especially our experience of time's passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorisation of the representation of memory in both mainstream Hollywood and international art...
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    Narratives of Cultural Identity in Contemporary Arab Cinema examines emerging cinema from the Gulf Cooperation Council (GCC) and recent diasporic/transnational productions from the Levant. Although several books have been written on Arab cinema, there remains a need to consider the role of the emerging film industry in the GCC countries, or states in which cinema production is relatively scant. Academic...
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Book Details

INFORMATION

ISBN: 9780415840125

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 18 December 2014

Country: United Kingdom

Imprint: Routledge

Illustration: 20 Halftones, black and white

Audience: Tertiary education

DIMENSIONS

Width: 152.0mm

Height: 229.0mm

Weight: 385g

Pages: 174

About the Author

Lucia Ricciardelli is Assistant Professor in the School of Film and Photography at Montana State University, US.

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