Women, the Arts and Globalization
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See moreThis book brings transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world; shows the movement of women globally rarely matches dominant models of global exchange; traces their eccentric experiences of the effects of globalization.
This is the first anthology to bring transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travellers or migrants, empowered artists/scholars or exiled practitioners) rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization.
Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.
Book Details
INFORMATION
ISBN: 9780719096716
Publisher: Manchester University Press
Format: Paperback / softback
Date Published: 31 January 2015
Country: United Kingdom
Imprint: Manchester University Press
Illustration: Illustrations, black & white
Contributors:
- Edited by Marsha Meskimmon
- Edited by Dorothy Price
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 15.0mm
Width: 156.0mm
Height: 234.0mm
Weight: 413g
Pages: 288
About the Author
Marsha Meskimmon is Professor of Modern and Contemporary Art History and Theory at Loughborough University|Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol
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