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WHITMAN. CANNONBALL. PUEBLA.

Brief Description
Poetic fables that consider a future Greater Americas that blends the cultures of peoples across the hemisphere. This four-part collection of poetic fables engages the emerging field of global-poetics through Hispano-Americano lenses. Amid global crises between states, and cultural destabilisation manifesting across mass popular culture and... Read More
Format: Paperback / softback
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Poetic fables that consider a future Greater Americas that blends the cultures of peoples across the hemisphere.

This four-part collection of poetic fables engages the emerging field of global-poetics through Hispano-Americano lenses. Amid global crises between states, and cultural destabilisation manifesting across mass popular culture and literature, WHITMAN. CANNONBALL. PUEBLA. sets out to invigorate conversation about how the United States might adapt to a wider hemispheric consciousness.

Toscano's poems present a cultural landscape where the Anglo-capitalist outlook is temperedβ€”if not subsumedβ€”by a Greater Americas "Salamanca Humanism," which was the basis for the 1948 United Nations Universal Declaration of Human Rights.

The book is divided into four sections that develop the idea of a Greater Americas as hinging on negotiation between Anglo and Hispano values, consider a potential catastrophic Anglo-American imperialism, imagine life in a Post-Empire crisis, and compose allegories about the historical consciousness of a people oversaturated with media.

Book Details

INFORMATION

ISBN: 9781632431745

Publisher: Omnidawn Publishing

Format: Paperback / softback

Date Published: 06 October 2025

Country: United States

Imprint: Omnidawn Publishing

Audience: General / adult

DIMENSIONS

Spine width: 10.0mm

Width: 152.0mm

Height: 229.0mm

Weight: 172g

Pages: 108

About the Author

Rodrigo Toscano is the author of eleven books of poetry, including The Cut Point and The Charm & The Dread. His poetry has been published in Best American Poetry, Best American Experimental Poetry, Boston Review, Poetry Magazine, Kenyon Review, Georgia Review, Yale Review, and Fence, among others.
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