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What is Black Art?
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What is Black Art?
$2600
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
What is Black Art?
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
A landmark contribution to British art history, bringing together overlooked and marginalised perspectives from 'the critical decade'.
What is Black Art? and why don’t we know more about it? Museums, galleries and publications are overflowing with art from white and predominantly male artists. This has been the case for centuries. The summer of 2020 brought British history and its presentation in these public spaces, and in educational contexts, under scrutiny, but it can be difficult to locate voices that have been overlooked for so long.
What is Black Art? presents the histories, methodologies and socio-political perspectives of a generation of artists and writers who operated with and against the mainstream British art systems during the 1980s. Featuring work from artists such as Lubaina Himid, Sonia Boyce, Eddie Chambers and Rasheed Araeen, this book provides access to a diverse and multifaceted set of voices that have been locked away in archives until now and resonate profoundly today.
Book Details
INFORMATION
ISBN: 9780141998213
Publisher: Penguin Books Ltd
Format: Paperback / softback
Date Published: 29 September 2022
Country: United Kingdom
Imprint: Penguin Books Ltd
Contributors:
- Edited by Alice Correia
Audience: General / adult, Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 25.0mm
Width: 111.0mm
Height: 181.0mm
Weight: 239g
Pages: 352
About the Author
Dr Alice Correia is an independent art historian. She is a specialist in late twentieth-century British art, with a focus on Black and South Asian diaspora artists. She curated the exhibition Being British, at the Stephen Lawrence Gallery, University of Greenwich, in 2009 and has worked as a Research Fellow at Tate Research, undertaking a major project on Henry Moore. She is a trustee of Third Text.
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