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The Versailles Effect
Objects, Lives, and Afterlives of the Domaine
Brief Description
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the...
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The Versailles Effect
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Description
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures.
The splendour of the Château and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement.
The case studies presented by the contributors to The Versailles Effect cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump.
However, this innovative collection will reshape—or even radically redefine—our understanding of the palace of Versailles and its posterity.
Series: Material Culture of Art and Design
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The Versailles Effect
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Château and the masterpieces of art and design that it contains mask a more...Paperback$6899Unit price /UnavailableAvailableShips in 4-6 weeks -
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Material Selves
What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of...Hardback$19800Unit price /UnavailableAvailableShips in 4-6 weeks -
Material Selves
What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of...Paperback$6599Unit price /UnavailableAvailableShips in 4-6 weeks -
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This boundary-breaking volume examines an array of objects that, in various ways, complicate narrow definitions of art and Australian identity. It shows how each object has informed and enriched contemporary Australian personal and political life in complex, often overlooked ways. Featuring essays and object case studies by leading and emerging art historians, artists, curators, historians and anthropologists, The Australian Object...HardbackSold Out
Book Details
INFORMATION
ISBN: 9781350437593
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 18 April 2024
Country: United Kingdom
Imprint: Bloomsbury Visual Arts
Illustration: 71 bw illus
Contributors:
- Edited by Mark Ledbury
- Edited by Robert Wellington
Audience: Tertiary education
DIMENSIONS
Spine width: 20.0mm
Width: 150.0mm
Height: 228.0mm
Weight: 460g
Pages: 320
About the Author
Mark Ledbury is Power Professor of Art History & Visual Culture and Director of the Power Institute at the University of Sydney, Australia. He is the author of James Northcote, History Painting, and the Fables (2014) and Sedaine, Greuze and the Boundaries of Genre (2000). He is also the editor of three books, including Fictions of Art History (2013).
Robert Wellington is Senior Lecturer in Art History & Art Theory at the Australian National University, Australia. He is an art historian with a special interest in the role of material culture in history making and cross-cultural exchange at the Court of Louis XIV. Prior to receiving a PhD in Art History from the University of Sydney, he has ten years' experience in various roles in the contemporary arts sector. He is the Book Placement Editor for Early Modern Art History Studies (1500-1800) for H-France, and on the advisory board for Bloomsbury’s Material Culture of Art & Design book series. His monograph, Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past, was published in 2015.
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