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The Eyes of the Skin

Architecture and the Senses
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Brief Description
The Eyes of the Skin Explore the relationship between architecture and the sensory experience with the fourth edition of this groundbreaking work First published in 1996, The Eyes of the Skin is a classic of architectural theory. It asks the far-reaching question why, when there are... Read More
Format: Hardback
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The Eyes of the Skin

Explore the relationship between architecture and the sensory experience with the fourth edition of this groundbreaking work

First published in 1996, The Eyes of the Skin is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense—sight—so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical since the first edition’s publication. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing.

For a student reading this text for the first time, The Eyes of the Skin is a revelation. It provides a fresh, compelling insight into architectural culture which continues to inspire more than a quarter-century after its initial publication.

The fourth edition of The Eyes of the Skin also features:

  • The author’s latest views on the emphasis of place, unfocused perception and existential experience
  • Updates and clarifications throughout, to reinforce how our sense of self in the world remains our most important sense with the greatest architectural impact
  • An updated Foreword that touches on the current understanding of the seminal importance of the existential sense

The Eyes of the Skin is a must-read for all architecture students, who will find its insights transformative.

Book Details

INFORMATION

ISBN: 9781394200672

Publisher: John Wiley & Sons Inc

Format: Hardback

Date Published: 20 March 2024

Country: United States

Imprint: John Wiley & Sons Inc

Edition: 4th edition

Audience: Professional and scholarly

DIMENSIONS

Spine width: 13.0mm

Width: 142.0mm

Height: 218.0mm

Weight: 249g

Pages: 112

About the Author

Juhani Pallasmaa is one of Finland’s most distinguished architects and architectural thinkers. He has held a number of prestigious positions throughout his career, including: Rector of the Institute of Industrial Arts, Helsinki; Director of the Museum of Finnish Architecture, Helsinki; and Professor and Dean of the Faculty of Architecture at Helsinki University of Technology. As well as, a member of the Jury of the Pritzker Prize (2008–2014). He has also held visiting professorships at several universities worldwide.

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  • The Embodied Image
    The Embodied Image: Imagination and Imagery in Architecture by Juhani Pallasmaa explores how artistic and architectural effects are evoked, mediated, and experienced through poeticised images. These images are lived experiences that occur in ‘the flesh of the world’, becoming a part of us, while we simultaneously project aspects of ourselves onto a conceived space, object, or event. Artistic images possess...
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    A collection of the writing of the highly influential architect, Juhani Pallasmaa, presented in short, easily accessible, and condensed ideas ideal for students. Juhani Pallasmaa is one of Finland’s most distinguished architects and architectural thinkers, publishing around 60 books and several hundred essays and shorter pieces over his career. His influential works have inspired undergraduate and postgraduate students of architecture...
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    In this book, Pallasmaa progresses his case for a multi-sensory approach to architecture, espoused in The Eyes of the Skin, by taking a wider view of the role of embodiment in human existential reactions, experiences, and expressions as well as the processes of making and thinking. The Thinking Hand is a metaphor for the characteristic independence and autonomous activity of...
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