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It Used to be Witches

Under the Spell of Queer Cinema
Brief Description
Playfully blending personal memoir, criticism, and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey's engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present. Andrew Haigh (All of Us Strangers), Cheryl Dunye (The Watermelon... Read More
Format: Hardback
$4500
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An authoritative celebration of the past, present and future of queer cinema.

An authoritative celebration of the past, present and future of queer cinema.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Playfully blending personal memoir, criticism, and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey's engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present.

Andrew Haigh (All of Us Strangers), Cheryl Dunye (The Watermelon Woman), Isabel Sandoval (Lingua Franca), and Bruce LaBruce (No Skin Off My Ass) are among the directors who reveal how queer artists use film to express their most personal truthsβ€”and to challenge, defy, and outrage a world that would rather they didn't exist.

That world might look rainbow-coloured from some angles, with the likes of Brokeback Mountain, Call Me By Your Name, Moonlight, and Portrait of a Lady on Fire winning awards and acclaim. But as queer and trans people find themselves increasingly under attack, It Used to Be Witches asks whether cinema can be an effective weapon of resistance and change, and celebrates an outlaw spirit which refuses to die.

Book Details

INFORMATION

ISBN: 9780571381524

Publisher: Faber & Faber

Format: Hardback

Date Published: 05 June 2025

Country: United Kingdom

Imprint: Faber & Faber

Edition: Main

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Width: 153.0mm

Height: 234.0mm

Weight: 250g

Pages: 352

About the Author

Ryan Gilbey has been writing on film for more than 30 years. He was named the Independent/ Sight and Sound Young Film Journalist of the Year in 1993, won a Press Gazette award for his reviews at the New Statesman, where he was film critic from 2006 until 2023, and has written for the Guardian since 2002. He is the author of It Don't Worry Me, about 1970s US cinema, and a study of Groundhog Day in the BFI Modern Classics series. He lives in London.

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