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Flashback, Eclipse – The Political Imaginary of Italian Art in the 1960s

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Flashback, Eclipse by Romy Golan offers a provocative exploration of the intersection of art, politics, and history in 1960s Italy. Challenging the common view of the decade as politically presentist but historically detached, Golan argues that Italian artists of the period reimagined twentieth-century history and its aftermath in oblique, nonlinear forms of temporalityβ€”the flashback and the eclipse. Illustrated through black-and-white images sourced from art, design, and film archives, the book traces key events and figures, from Michelangelo Pistoletto's Mirror Paintings in Turin to the VitalitΓ  del Negativo exhibition in Rome. It recalls and occludes episodes of Italian nationalism, Fascism, and moments of political and cultural resistance, illuminating a complex artistic engagement with history.
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Format: Hardback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Flashback, Eclipse is ideal for readers interested in art history, Italian culture, political history, and interdisciplinary studies of visual arts and politics. Scholars, students, and aficionados of twentieth-century European art and history will find this book especially engaging.

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"This book is about 1960's Italian art and its troubled but also resourceful relation to the history and politics of the first part of the century and the aftermath of World War II"--

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

From a leading art historian, a provocative exploration of the intersection of art, politics, and history in 1960s Italy

Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. Most analyses have treated the 1960s in Italy as the decade of "presentism" par excellence, a political decade but one liberated from history. Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form.

Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporalityβ€”the flashback and the eclipse. In view of the photographic and filmic nature of these two concepts, the book's analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation.

The book begins in Turin with Michelangelo Pistoletto's Mirror Paintings; moves on to Campo urbano, a one-day event in the city of Como; and ends with the Vitalit del Negativo exhibition in Rome. What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance.

The book's main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters).

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Critics praise Flashback, Eclipse for its rich archival research and nuanced narrative. Amanda Gluibizzi of Brooklyn Rail highlights how Golan uncovers hidden histories through journalistic coverage and imagery, transporting readers into the evocative 1960s Italian art scenes beyond major cities. Katie M.J. Larson, writing for CAA Reviews, commends the book’s critical examination of fascism’s afterlives in Italian art, presenting it as a significant model for scholars. The book is recognised as an expert dive into Italy's social visual memory, revealing unexpected connections and resonances.

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Book Details

INFORMATION

ISBN: 9781942130505

Publisher: Zone Books

Format: Hardback

Date Published: 02 November 2021

Country: United States

Imprint: Zone Books

Audience: Professional and scholarly

DIMENSIONS

Spine width: 27.0mm

Width: 159.0mm

Height: 232.0mm

Weight: 668g

Pages: 312

About the Author

Romy Golan is Professor of Art History at The Graduate Center, City University of New York. She is the author of Modernity and Nostalgia: Art and Politics in France Between the Wars and Muralnomad: The Paradox of Wall Painting, Europe 19271957.

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