Encounterism
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Encounterism
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A joyous exploration into the everyday pleasures and benefits of encountering the world in-person
A brilliant collection of personal, meditative and investigative essays on all that we lose in a virtual world; a joyous book about the nature, grace and importance of everyday, face-to-face human interactions
Encounterism is a joyous immersion into the everyday pleasure and shared humanity we stand to lose in an increasingly digital world. Andy Field explores both different kinds of and different venues for human encounters: from the hairdresser's to the cinema, from nightclubs to eateries, shops staffed by people and free-form urban parks; these are the everyday yet invaluable spaces that allow for human encounters that enrich our lives.
Field writes with tenderness and wit born out of twenty years as a performance artist, creating scenarios in which people are encouraged to see and interact with each other afresh. In Encounterism he not only examines how we physically encounter both strangers and friends—in all our human grace and awkwardness—but builds to a manifesto for the importance of real-world interaction.
A rousing reminder that our cities, our residential streets, and workplaces must still allow for the possibility of spontaneity and shared, in-person joy.
Book Details
INFORMATION
ISBN: 9781914613722
Publisher: Duckworth Books
Format: Paperback / softback
Date Published: 03 July 2025
Country: United Kingdom
Imprint: Duckworth
Audience: General / adult
DIMENSIONS
Spine width: 22.0mm
Width: 129.0mm
Height: 198.0mm
Weight: 250g
Pages: 304
About the Author
Andy Field is a performance artist who specialises in human interactions. His work has manifested itself in a variety of places - from theatres and galleries, to warehouses, multistorey carparks, and the streets of towns and cities around the world. Field has played a leading role in the UK's experimental performance scene over the last fifteen years as co-director of the award-winning artist-led project Forest Fringe, described by the Guardian as 'an Edinburgh institution [that] spread its wings around the globe and [has] been hailed as the future of theatre'.
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