Bad Eminence

Meet Vanessa Salomon, a privileged and misanthropic French-American translator hailing from a wealthy Parisian family. Her twin sister is a famous movie star, which Vanessa resents deeply and daily. The only man Vanessa ever loved recently killed himself by jumping off the roof of her building. It's a full life.

Vanessa has just started working on an English translation of a titillating, experimental thriller by a dead author when she's offered a more prominent gig: translating the latest book by an Extremely Famous French Writer who is not in any way based on Michel Houellebecq. As soon as she agrees to meet this writer, however, her other, more obscure project begins to fight back—leading Vanessa down into a literary hell of traps and con games and sadism and doppelgangers and mystic visions and strange assignations and, finally, the secret of life itself.

Peppered with "sponsored content" providing cocktail recipes utilising a brand of liquor imported by the film director Steven Soderbergh, and with a cameo from the actress Juno Temple, Bad Eminence is at once an old-school literary satire in the mode of Vladimir Nabokov as well as a jolly thumb in the eyes of contemporary screen-life and digital celebrity.

Strong writing and shrewd perceptions prevail, backed by wry humour, compelling stumblebum characters, a true-blue louche atmosphere, and arresting insights into the dream of art, be it literature or rock and roll. — Donna Seaman, Booklist

A Nabokovian thriller, light-hearted and caustic, which is also a subtle reflection on all forms of manipulation, be they criminal, corporate, amorous or... novelistic. — Éric Chevillard, Le Monde

Greer's lyrical erudition is both serious work and seriously fun... proof that there remain new places to go, both on paper and in the known universe. — Publishers Weekly

Greer does a superb job of transcending conventional genrefication, bringing something fresh to contemporary literature... A very enjoyable read [with a] highly inventive structure, full of eccentricities... — Library Journal