Alice Tippit: Rose Obsolete
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A catalogue of new and selected works by Chicago-based artist Alice Tippit.
Alice Tippit: Rose Obsolete is the first monographic catalogue dedicated to the enigmatic and poetic work of Chicago-based artist Alice Tippit (b. 1975). Published on the occasion of a 2026 exhibition at DePaul Art Museum in Chicago, this volume brings together a selection of works spanning the last ten years, offering a compelling glimpse into Tippit's evolving paintings and works on paper.
This book also includes new essays by curator Ionit Behar and writers Johanna Fateman and Mary Simpson, who each offer distinct insights into Tippit's practice. Together, they consider questions central to Tippit's practice: What is the difference between looking and seeing? How do forms signify, and where does meaning reside?
Through refined forms and spare compositions, her work resists straightforward interpretation, instead relying on the power of metaphor, ambiguity, and allusion to generate meaning. In Tippit's world, forms float untethered from narrative certainty, simultaneously seductive and elusive.
Book Details
INFORMATION
ISBN: 9781737760931
Publisher: DePaul University Art Museum
Format: Paperback / softback
Date Published: 24 February 2026
Country: United States
Imprint: DePaul University Art Museum
Illustration: 60 color plates
Contributors:
- Foreword by Laura-Caroline De Lara
- Contributions by Mary Simpson
- Edited by Alice Tippit
- Edited by Ionit Behar
- Contributions by Johanna Fateman
- Contributions by Ionit Behar
Audience: General / adult
DIMENSIONS
Width: 203.0mm
Height: 254.0mm
Weight: 454g
Pages: 144
Collections
About the Author
Ionit Behar is curator at DePaul Art Museum (DPAM) in Chicago, where she has organized solo and group exhibitions including IΓ±igo Manglano-Ovalle: A Want for Nothing, Selva Aparicio: In Memory Of, Life Cycles, A Natural Turn, Solo(s): Krista Franklin, Claudia PeΓ±a Salinas: Quetzalli, and LatinXAmerican. Her independent projects include Del Otro Lado at OβHare International Airport, 50 aΓ±os at SUBTE in Montevideo, and Nelly Agassi: No Limestone, Nor Marble at the Chicago Cultural Center.Β
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