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A shared vision

The Hunter Collection
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
A Shared Vision by the Art Gallery of SA explores the dynamic world of art through the eyes of the gallery’s curators and artists. The book highlights the interplay between contemporary and historical artworks, celebrating a diverse collection that reflects cultural insights and artistic collaboration. This engaging read offers an illuminated journey through various art forms and their significance in today's society.
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Format: Hardback
$6500
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

You might enjoy this book if you have a keen interest in exploring art collections and exhibitions curated by the Art Gallery of South Australia. It offers insights into the artistic vision and cultural impact of the gallery's diverse collection, appealing to anyone passionate about arts and culture.

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A shared vision

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Book Details

INFORMATION

ISBN: 9781921668470

Publisher: Art Gallery of South Australia

Format: Hardback

Date Published: 20 April 2021

Country: Australia

Imprint: Art Gallery of South Australia

Illustration: 250 colour illustrations plus all works of art illustrated in the exhibition checklist

DIMENSIONS

Spine width: 37.0mm

Width: 248.0mm

Height: 297.0mm

Weight: 2175g

Pages: 312

About the Author

Tom and Elizabeth Hunter were generous donors to the Art Gallery of South Australia. As former director Ron Radford describes, they 'are the least known ... They both avoided attention, giving quietly and anonymous. Thanks to their only child, Alastair, we are now fully able to appreciate the extent of not only their generosity but also their connoisseurship.

This handsome and extensive publication had one very clear intention:
The purpose of this book is to catalogue and describe the items of incontrovertible artistic merit and beauty which have been contributed by one family for the pleasure and education of the people living in and visiting the state of South Australia.

The book includes texts by Michael Abbott, AO, QC, Dr Ron Radford, AM, Dick Richards and Christopher Menz. Additional essays by curators, James Bennett, Tracey Lock, Russell Kelty and Rebecca Evans examine aspects of the collection in great detail and make connections with other works in the Gallery's collection. The chapters themselves are diverse, reflecting the wide-ranging collecting interests of the Hunters. The topics covered include Australian art, European decorative arts, Asian trade ceramics, Chinese export porcelain and Japanese art, along with a chapter devoted to their fine collection of Buddhas and Clarice Beckett. Also included is an entertaining chapter written by Alastair entitled 'Memories of an art and antique collector orphan'.

Sumptuously illustrated, the book is principally 'about the joy of collecting'. All the works are illustrated, with a comprehensive list of the works in order of their acquisition also provided. The book has succeeded in celebrating and honouring the legacy of this sophisticated Adelaide couple who:
never sought recognition or personal advancement [but] fully understood the role of the Gallery as a heritage institution, one committed to nuturing public appreciation of the great historical traditions of Western and Asian art.

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