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100 American Horror Films

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100 American Horror Films by Barry Keith Grant explores a century of American horror cinema, from D.W. Griffith's 1915 silent film The Avenging Conscience to Jordan Peele's 2017 Get Out. The book examines 100 films across all eras, studios, and subgenres, including psychological thrillers, monster terror, gothic horror, home invasion, and parody. Grant provides cultural and historical context, discusses the hallmark features of each film, and offers original critical insights into what defines them as horror within the American tradition.
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Format: Paperback / softback
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Ideal for film enthusiasts, horror genre fans, students of American culture and cinema, and readers interested in the evolution and variety of horror films over more than a century.

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A guide to 100 of the most notable American horror movies by leading popular cinema expert Barry Keith Grant in the BFI Screen Guides series.

A guide to 100 of the most notable American horror movies by leading popular cinema expert Barry Keith Grant in the BFI Screen Guides series.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

[A] well-plotted survey. Total Film

In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse, and most popular genres, representing its rich history from the silent era—D.W. Griffith's The Avenging Conscience of 1915—to contemporary productions—Jordan Peele's 2017 Get Out.

In his introduction, Grant provides an overview of the genre’s history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualised within specifically American culture and history. Each entry also considers the film’s most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation.

The 100 films selected for inclusion represent the broadest historical range and are drawn from every decade of American filmmaking. They include movies from major and minor studios and examples of different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody. The selection also includes various types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.

Series: BFI Screen Guides

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Total Film praises the book as "a keen dissection" and "a well-plotted survey" revealing how the genre evolves. Kendall Phillips, author of A Place of Darkness, hails it as a "treasure trove of information and insights" ideal both for newcomers wanting a comprehensive guide and for fans seeking fresh critical perspectives on classic horror.

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Book Details

INFORMATION

ISBN: 9781839021466

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 24 March 2022

Country: United Kingdom

Imprint: BFI Publishing

Illustration: 70 colour illus

Audience: Professional and scholarly

DIMENSIONS

Spine width: 16.0mm

Width: 202.0mm

Height: 194.0mm

Weight: 540g

Pages: 224

About the Author

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is the author of 100 Science Fiction Films (2013) in the BFI Screen Guides series and co-author of 100 Documentary Films (2009), author of Invasion of the Body Snatchers (BFI Film Classics, 2010), Monster Cinema (2018), and two influential anthologies, Planks of Reason: Essays on the Horror Film (second edition 2004), the first scholarly anthology on the horror film, and The Dread of Difference: Gender and the Horror Film (second edition 2015). He recently edited Robin Wood on the Horror Film: Collected Essays and Reviews (2018).

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