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Radio Works: 1946–48

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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
After his release from the Rodez asylum, Antonin Artaud sought to reach a broad audience through experimental radio broadcasts. His seminal work, To Have Done with the Judgement of God (1947-48), uses texts, screams, and cacophonies to forge a new auditory language aimed at 'road-menders.' The broadcast explores themes of corporeality and introduces the concept of the 'body without organs,' later influential to Deleuze and Guattari. Despite being commissioned by French national radio, the broadcast was banned before airing. This collection includes the texts of Artaud's banned broadcasts alongside his letters from the period and the earlier 1946 manifesto broadcast Madness and Black Magic, all translated by Clayton Eshleman.
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This book will engage readers interested in avant-garde literature, experimental theatre, and the history of radio arts. It is suited for scholars and enthusiasts of Antonin Artaud’s work and those keen on poststructuralist philosophy, given its connection to Deleuze and Guattari.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Following his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and he chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, To Have Done with the Judgement of God, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for β€œroad-menders.”

In the broadcast, he interrogated corporeality and introduced the idea of the β€œbody without organs,” crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, much to Artaud’s fury.

This volume collects all of the texts for To Have Done with the Judgement of God, together with several of the letters Artaud wrote to friends and enemies in the short period between his work’s censorship and his death. Also included is the text of an earlier broadcast from 1946, Madness and Black Magic, written as a manifesto prefiguring his subsequent broadcast.

Clayton Eshleman’s extraordinary translations of the broadcasts activate these works in their extreme provocation.

Book Details

INFORMATION

ISBN: 9783035802504

Publisher: Diaphanes AG

Format: Paperback / softback

Date Published: 11 February 2022

Country: Switzerland

Imprint: Diaphanes AG

Audience: General / adult

DIMENSIONS

Spine width: 9.0mm

Width: 121.0mm

Height: 191.0mm

Weight: 144g

Pages: 128

About the Author

Antonin Artaud (1895–1948) was a French dramatist, poet, essayist, actor, and theater director, widely recognized as one of the major figures of twentieth-century theater and the European avant-garde. Stephen Barber is professor at the Kingston School of Art, Kingston University, London, and a visiting research fellow at the Free University Berlin and Keio University Tokyo. He is the author of several books including White Noise Ballrooms, and the editor of Artaud 1937 Apocalypse, both published by DIAPHANES. Clayton Eshleman is an American poet and translator and professor emeritus at Eastern Michigan University. He has translated the work of Antonin Artaud, CΓ©sar Vallejo, AimΓ© CΓ©saire, and others. He was awarded the National Book Award for translation in 1979.Β Ros Murray is the author of Antonin Artaud: The Scum of the Soul (2014), as well as many works on queer theory and feminism. She is based in the Department of French at Kings College, University of London.

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