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On Painting
Courses, March-June 1981
Series: Univocal
Brief Description
Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on painting From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he...
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On Painting
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The complete and annotated transcripts of Deleuze’s 1981 seminars on painting, available for the first time in English. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.
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Description
Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on painting
From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.
Through paintings and writing by Rembrandt, Delacroix, Turner, Cezanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of colour feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain colour? What is a line without contour? Why paint at all?
Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of colour as a philosophical concept.
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Series: Univocal
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On Painting
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Book Details
INFORMATION
ISBN: 9781517918408
Publisher: University of Minnesota Press
Format: Paperback / softback
Date Published: 12 August 2025
Country: United States
Imprint: University of Minnesota Press
Illustration: 4 black and white illustrations
Contributors:
- Edited by David Lapoujade
- Translated by Charles J. Stivale
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 18.0mm
Width: 140.0mm
Height: 216.0mm
Weight: 425g
Pages: 360
About the Author
Gilles Deleuze (19251995) was professor of philosophy at the University of Paris, VincennesSt. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus (Minnesota, 1987) with Felix Guattari. He is author of many books, including Francis Bacon: The Logic of Sensation; Cinema 1: The Movement-Image; Cinema 2: The Time-Image; The Fold: Leibniz and the Baroque; and Proust and Signs: The Complete Text, all published in English by the University of Minnesota Press.
David Lapoujade is professor of philosophy at Universite Paris 1Sorbonne. His books include Powers of Time: Versions of Bergson; The Lesser Existences: tienne Souriau, an Aesthetics for the Virtual (both from Minnesota); and Aberrant Movements: The Philosophy of Gilles Deleuze.
Charles J. Stivale is Distinguished Professor Emeritus at Wayne State University. He is translator of Deleuze's Logic of Sense and translator of Gilles Deleuze, From A to Z.
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