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Joy of the Worm

Suicide and Pleasure in Early Modern English Literature
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Joy of the Worm explores an unexpected aesthetic in early modern literature where voluntary death is portrayed not always as tragedy but often with humour, joy, and celebration. Professor Drew Daniel delves into an archive of literary works from 1534 to 1713, including Shakespeare and Milton, to distinguish between "self-killing" and "suicide," revealing death as heroic, erotic, or political acts rather than sin or sickness.
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Format: Paperback / softback
$5699
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book will appeal to readers interested in early modern literature, cultural history, and philosophical approaches to death and aesthetics. Scholars and thoughtful general readers seeking a challenging and provocative perspective on voluntary death in literature will find it rewarding.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description
Consulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy.

In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration.

Daniel draws both a historical and a conceptual distinction between “self-killing” and “suicide.” Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture.

In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. “Joy of the worm” emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate “trolling,” but can also underwrite powerful feelings of belonging, devotion, and love.

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  • Joy of the Worm
    Consulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy. In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as...
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  • Chinese Whispers
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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised for its bold and sensitive exploration, Joy of the Worm challenges conventional views on suicide by presenting complex, nuanced readings where cruelty and tenderness mingle. Melissa E. Sanchez highlights Daniel's lucid prose and humane analysis of how aesthetic representations capture the social and emotional complexity of self-destruction. The book is noted for its revelatory insight into the levity and joy intertwined with fatal choice.

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Book Details

INFORMATION

ISBN: 9780226816500

Publisher: The University of Chicago Press

Format: Paperback / softback

Date Published: 02 May 2022

Country: United States

Imprint: University of Chicago Press

Illustration: 3 halftones

Audience: Professional and scholarly

DIMENSIONS

Spine width: 20.0mm

Width: 152.0mm

Height: 229.0mm

Weight: 399g

Pages: 288

About the Author

Drew Daniel is associate professor of English at Johns Hopkins University. He is the author of Twenty Jazz Funk Greats and The Melancholy Assemblage: Affect and Epistemology of the English Renaissance.

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