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The Old Songs are Always New

Singing Traditions of the Tiwi Islands
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Old Songs are Always New by Genevieve Campbell explores the enduring significance of music within cultures, particularly focusing on the rich musical traditions of Indigenous Australian communities. The book delves into how traditional songs are kept alive and relevant, serving as a bridge between generations and offering insights into cultural identity and heritage. Through engaging narratives and personal reflections, the author highlights music's power to sustain and revitalise community life.
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Format: Paperback / softback
$4499
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book may appeal to you if you appreciate the power of music to connect generations and cultures. You'll enjoy exploring how traditional songs from Indigenous communities continue to resonate and adapt in modern settings. If you're interested in cultural preservation and the arts, this insightful exploration offers a rich narrative on the enduring impact of music.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Approximately 1300 ethnographic field recordings of Tiwi songs, made between 1912 and 1981, are archived at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra.

In November 2009, Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim these archived songs and song texts. The Old Songs are Always New explores their return home to the Tiwi Islands and reveals that the fundamentally contemporary, topical and current nature of the Tiwi song culture has resulted in the preservation of a rich social, cultural and historical oral record.

Campbell describes the melody, rhythm, vocal technique, language, performance context and function of the twelve Tiwi song types, and gives an overview of the language and poetic devices used in song composition.

Series: Indigenous Music, Language and Performing Arts

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  • Yuupurnju
    Yuupurnju: A Warlpiri Song Cycle documents a ceremonial song cycle situated within the traditional kurdiji "shield" ceremony, as sung by Warlpiri Elder Henry Cooke Anderson Jakamarra at Lajamanu, Northern Territory, in 2013. The song cycle relates to a women's jukurrpa Dreaming narrative and tells the story of a group of ancestral women on a journey across the country. Jakamarra performed...
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  • Vitality and Change in Warlpiri Songs
    Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations.While musical and cultural change is...
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  • The Old Songs are Always New
    Approximately 1300 ethnographic field recordings of Tiwi songs, made between 1912 and 1981, are archived at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra. In November 2009, Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim these archived songs and song texts. The Old Songs are Always New explores their return home to...
    Paperback
    $4499
    Available
    Ships in 4-6 weeks
  • Keeping Time
    Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music....
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    $8999
    Available
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  • Music, Dance and the Archive
    Music, Dance and the Archive interrogates historical access and responses to archives by showing how Indigenous performing artists and community members, and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It highlights the relationship between music and dance, as embodied forms of culture, and records in archives, bringing together interdisciplinary...
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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

The Old Songs are Always New by Genevieve Campbell is praised for offering an insightful perspective on Indigenous stories and song traditions. John J. Bradley appreciates how it highlights the depth and complexity of Indigenous narratives, revealing interpretations often missing from Western historical accounts.

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Book Details

INFORMATION

ISBN: 9781743328750

Publisher: Sydney University Press

Format: Paperback / softback

Date Published: 31 July 2023

Country: Australia

Imprint: Sydney University Press

Illustration: Illustrations

Audience: General / adult

DIMENSIONS

Spine width: 12.0mm

Width: 178.0mm

Height: 254.0mm

Weight: 420g

Pages: 320

About the Author

Genevieve Campbell has worked for 30 years as a professional French Horn player and since 2007 has been involved with senior Tiwi singers in musical collaboration which has resulted in numerous performances, recordings and study centred around the repatriation to the Tiwi community of ethnographic field recordings of Tiwi ceremony and song. Her recent Sydney University Fellowship at the Sydney Conservatorium of Music and the Sydney Environment Institute focused on the role of Tiwi song and embodied knowledge in cultural maintenance, artistic creativity and community health. She is currently a Research Affiliate at the Sydney Conservatorium of Music.

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