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Griffith Review 79: Counterfeit Culture

Series: Griffith Review
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Griffith Review 79: Counterfeit Culture delves into the complexities of imitation and authenticity in our modern world. This anthology brings together a diverse array of essays, stories, and reflections that explore the pervasive influence of counterfeit culture across various landscapes, from digital realms to art and fashion. Through engaging narratives, it unravels the impact and implications of living in an era where the line between real and fake is increasingly blurred.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book may appeal to you if you're intrigued by the ways in which authenticity and imitation intersect within contemporary culture. It digs into the arts and societal norms, questioning what we consider real and exploring the implications of counterfeiting across different contexts. Perfect for those interested in a thoughtful examination of cultural dynamics and the blurred lines between truth and fiction.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

'A faker,' said Orson Welles, 'makes fools of the experts. So, who's the expert? Who's the faker?'

Griffith Review 79 lifts the curtain on fakes, frauds and forgeries. Treading the tightrope between art and lies, it explores the appeal of stories, objects, bodies or experiences that offer the false promise of authenticity. How do we discern what's real and what's not in a time of influencers and identity scams, counterfeits and cosmetic surgeries, disinformation and threats to democracy? From the imitation game and the uncanny valley to con artistry, trickery and scams, artifice makes the world go roundβ€”but perhaps all is not as it seems.

With a magician's flourish and a smooth sleight of hand, Counterfeit Culture unveils the agony and the ecstasy of the unreal. Can you spot the fake? And does it matter?

Series: Griffith Review

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  • Griffith Review 79: Counterfeit Culture
    'A faker,' said Orson Welles, 'makes fools of the experts. So, who's the expert? Who's the faker?' Griffith Review 79 lifts the curtain on fakes, frauds and forgeries. Treading the tightrope between art and lies, it explores the appeal of stories, objects, bodies or experiences that offer the false promise of authenticity. How do we discern what's real and what's...
    Paperback
    $3500
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    Ships in 4-6 weeks
  • Griffith Review 82: Animal Magic
    Whether it's man's best friend or the king of the jungle, animals occupy a central place in our social, emotional, and cultural lives. We're happy as clams or pigs in mud; we hold our horses or take a lion's share of what we want; we avoid the elephant in the room or try not to open a can of worms....
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  • Griffith Review 84: Attachment Styles
    The attachments we form shape our experience of the world and our understanding of who we are. Hell is other people, wrote Jean-Paul Sartre, his point being less about misanthropy and more about how entwined our self-perception is with the ways in which others perceive us. And alongside our personal relationships – from filial to friendship, from collegiate to romantic...
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  • Griffith Review 81: The Leisure Principle
    In 1930, John Maynard Keynes spelt out a vision of the impending utopia. Work, he said, will become a thing of the past. 'For the first time since creation,' he predicted, 'man will be faced with his real, his permanent problem - how to occupy the leisure which science...will have won for him.' So where did this vision of future...
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  • Griffith Review 83: Past Perfect
    The past, famously, is a foreign countryβ€”but in the twenty-first century, it's one in which we increasingly seek solace. No matter the relentless pace of technological innovation and the digitisation of everything from money to media, our appetites for retro design and aesthetics, for cultural products that reimagine technicolour-dream versions of decades gone by, or for fantasies of a past...
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  • Griffith Review 80: Creation Stories
    The capacity to tell storiesβ€”along with language and the ability to create artβ€”is seen as both intrinsic and unique to the human species. Over thousands of years, we've forged narratives of our origins, our journeys, and our dreams as a means of accounting for who we are and to define our place in the world. In the twenty-first century, as...
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  • Griffith Review 85: Status Anxiety
    Like the answer to a riddle, status is all around us, but it can't always be seen or heard. The silent switchboard behind our professional and personal interactions, status dictates our place on the guest list, in the room, at the table; through its connections to class, race and gender, it affords some of us power and wealth and others...
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  • Griffith Review 86: Leaps of Faith
    To take a leap of faith is to bet your belief on an unknown future. But belief is central to the human experience; whether it's religious, political, societal, philosophical or spiritual, the act of believing can be a lodestar, a comfort, a ritual, a guiding principle, a reason for living. We place our faith in everything from gods and mortals...
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  • Griffith Review 90: Best Dressed
    No matter how much or how little you care about what you wear, your sartorial choices are inextricably stitched into your social, cultural and personal identities. Clothing not only dictates how we define ourselves and relate to others throughout history, it's also been a mode of expression, resistance, revolution and disruption.Put on your Sunday best for Griffith Review 90: Best...
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  • Griffith Review 88: Culture Vultures
    There's no escaping the onslaught of content these days. But it seems increasingly tricky to determine what's good and what's not as we stream, tap and swipe our way through our endless entertainment feeds. How can we tell our own taste? Have we reached the end of culture? What place does criticism occupy in this ever-shifting landscape? From page to...
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  • Griffith Review 91: On The Money
    Money talks but it doesn't always speak the truth. It's also far more than a medium of exchange and a store of value: money is a status symbol, a friendship destroyer, an opportunity creator, a psychological blocker, an obsession, a dream, a curse, an albatross and an elephant in the room. And if money makes the world go round, it's...
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  • Griffith Review 78
    Food is more than a matter of taste. From the comfort of the kitchen to the theatre of the restaurant, the glamour of the TV studio to the gloss of the cookbook page, the ways we frame and consume stories about food shape our cultural histories as much as our personal identities. Griffith Review 78 serves up a smorgasbord of...
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Book Details

INFORMATION

ISBN: 9781922212801

Publisher: Griffith REVIEW

Format: Paperback / softback

Date Published: 01 February 2023

Country: Australia

Imprint: Griffith REVIEW

Illustration: Illustrations

Contributors:

  • Edited by Carody Culver

Audience: General / adult

DIMENSIONS

Width: 253.0mm

Height: 234.0mm

Weight: 250g

Pages: 196

About the Author

About the Editor:

Carody Culver is a writer and editor. She's been a contributing editor for Peppermint magazine and has written for publications including Kill Your Darlings, The Lifted Brow, Books+Publishing and Griffith Review.

Her chapbook, The Morgue I Think the Deader It Gets, was published by Cordite in 2022, and she's been a featured Australian poet on the Best American Poetry blog.

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