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Material Imagination
Art in Europe, 1946-72
Series: Art History Special Issues
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Format: Paperback / softback
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Material Imagination
$5699
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for students, scholars, and enthusiasts of European postwar art who are interested in the material aspects of artistic practice and the broader social contexts that shaped artworks during this period.
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. These eight essays explore artists methods and materials in order to better understand the social and cultural environments in which their works of art were made.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, spanning the years from 1946 to 1972.
It provides a unique perspective on European art by prioritising material dimensions over concept or context, while also paying attention to theoretical and historical concerns. The book explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made.
Furthermore, it demonstrates how materials can be harnessed to affect the critical interpretation of artwork. Material Imagination brings together exceptional illustrations and new research in eight essays by art historians and scholars.
Series: Art History Special Issues
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About Michael Baxandall
A distinguished group of art historians reflect on the work of Michael Baxandall, in terms of its importance for their own formation, its location in the development of a new art history, and its influence on the broader languages and theories of contemporary cultural theory. The volume deploys the meaning of the word 'about' both as an adverb and a...Paperback$5399Unit price /UnavailableAvailableShips in 3-4 weeks -
Material Imagination
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, spanning the years from 1946 to 1972. It provides a unique perspective on European art by prioritising material dimensions over concept or context, while also paying attention to theoretical and historical concerns. The book explores artists’ methods and materials in order to better understand the...Paperback$5699Unit price /UnavailableAvailableShips in 3-4 weeks -
To Scale
This innovative new volume offers an in-depth exploration of scale, one of the most crucial elements in the creation and reception of art. Illustrates how scale has compelled audiences to rethink the significance and importance of specific works of art: Takes a comparative art historical approach exploring issues of scale in an array of forms, from Islamic architecture to contemporary...Paperback$5699Unit price /UnavailableAvailableShips in 3-4 weeks
Book Details
INFORMATION
ISBN: 9781119328575
Publisher: John Wiley and Sons Ltd
Format: Paperback / softback
Date Published: 28 July 2017
Country: United Kingdom
Imprint: Wiley-Blackwell
Contributors:
- Edited by Steven Harris
- Edited by Natalie Adamson
Audience: Professional and scholarly
DIMENSIONS
Spine width: 18.0mm
Width: 211.0mm
Height: 274.0mm
Weight: 758g
Pages: 224
About the Author
Natalie Adamson is Senior Lecturer in Art History at the University of St Andrews, and was Deputy Editor of Art History from 2012 to 2017. She is the author of Academics, Pompiers, Official Artists and the Arrière-Garde: Defining Modern and Traditional in France, 1900-1960 (2009) and Painting, Politics, and the Struggle for the École de Paris, 1944-1964 (2009). She currently holds a two-year Major Research Fellowship from the Leverhulme Trust for a book project provisionally entitled Pierre Soulages: Radical Abstraction.
Steven Harris is Associate Professor in History of Art, Design and Visual Culture at the University of Alberta. He is the author of articles on surrealism, postwar abstraction, and Fluxus, and the book Surrealist Art and Thought in the 1930's: Art, Politics and the Psyche (2004). His current research project, The Poetics of Disenchantment, investigates both the surrealist movement in the postwar period, and how surrealist ideas and values were taken up or challenged by postwar European collectives like Cobra, the College of 'Pataphysics, and the Situationist International.
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