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Material Imagination

Art in Europe, 1946-72
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Material Imagination explores the intertwined ideas of matter, materialism, and materiality in postwar European art from 1946 to 1972. It offers a distinctive lens by focusing on the physical aspects of artworks rather than solely their concepts or contexts, while still addressing important theoretical and historical issues. The book delves into the techniques and materials used by artists to shed light on the social and cultural settings of their creations. Featuring eight essays by renowned art historians and scholars, it combines fresh research with outstanding illustrations to enhance understanding of how materials influence the interpretation of art.
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Format: Paperback / softback
$5699
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This book is ideal for students, scholars, and enthusiasts of European postwar art who are interested in the material aspects of artistic practice and the broader social contexts that shaped artworks during this period.

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Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. These eight essays explore artists methods and materials in order to better understand the social and cultural environments in which their works of art were made.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, spanning the years from 1946 to 1972.

It provides a unique perspective on European art by prioritising material dimensions over concept or context, while also paying attention to theoretical and historical concerns. The book explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made.

Furthermore, it demonstrates how materials can be harnessed to affect the critical interpretation of artwork. Material Imagination brings together exceptional illustrations and new research in eight essays by art historians and scholars.

Series: Art History Special Issues

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  • About Michael Baxandall
    A distinguished group of art historians reflect on the work of Michael Baxandall, in terms of its importance for their own formation, its location in the development of a new art history, and its influence on the broader languages and theories of contemporary cultural theory. The volume deploys the meaning of the word 'about' both as an adverb and a...
    Paperback
    $5399
    Available
    Ships in 3-4 weeks
  • Material Imagination
    Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, spanning the years from 1946 to 1972. It provides a unique perspective on European art by prioritising material dimensions over concept or context, while also paying attention to theoretical and historical concerns. The book explores artists’ methods and materials in order to better understand the...
    Paperback
    $5699
    Available
    Ships in 3-4 weeks
  • To Scale
    This innovative new volume offers an in-depth exploration of scale, one of the most crucial elements in the creation and reception of art. Illustrates how scale has compelled audiences to rethink the significance and importance of specific works of art: Takes a comparative art historical approach exploring issues of scale in an array of forms, from Islamic architecture to contemporary...
    Paperback
    $5699
    Available
    Ships in 3-4 weeks

Book Details

INFORMATION

ISBN: 9781119328575

Publisher: John Wiley and Sons Ltd

Format: Paperback / softback

Date Published: 28 July 2017

Country: United Kingdom

Imprint: Wiley-Blackwell

Contributors:

  • Edited by Steven Harris
  • Edited by Natalie Adamson

Audience: Professional and scholarly

DIMENSIONS

Spine width: 18.0mm

Width: 211.0mm

Height: 274.0mm

Weight: 758g

Pages: 224

About the Author

Natalie Adamson is Senior Lecturer in Art History at the University of St Andrews, and was Deputy Editor of Art History from 2012 to 2017. She is the author of Academics, Pompiers, Official Artists and the Arrière-Garde: Defining Modern and Traditional in France, 1900-1960 (2009) and Painting, Politics, and the Struggle for the École de Paris, 1944-1964 (2009). She currently holds a two-year Major Research Fellowship from the Leverhulme Trust for a book project provisionally entitled Pierre Soulages: Radical Abstraction.

Steven Harris is Associate Professor in History of Art, Design and Visual Culture at the University of Alberta. He is the author of articles on surrealism, postwar abstraction, and Fluxus, and the book Surrealist Art and Thought in the 1930's: Art, Politics and the Psyche (2004). His current research project, The Poetics of Disenchantment, investigates both the surrealist movement in the postwar period, and how surrealist ideas and values were taken up or challenged by postwar European collectives like Cobra, the College of 'Pataphysics, and the Situationist International.

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