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Constant Reader
The New Yorker Columns 1927-28
Series: McNally Editions
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Brief Description
Dorothy Parker's complete weekly New Yorker column about books and people and the rigours of reviewing. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter...
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Constant Reader
$3799
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Dorothy Parker’s complete weekly New Yorker column about books and people and the rigors of reviewing.
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Description
Dorothy Parker's complete weekly New Yorker column about books and people and the rigours of reviewing.
When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric Constant Reader, she created what is still the most entertaining book column ever written.
Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson ('She can go on like that for hours. Can, hell—does'), praising Hemingway's latest collection ('He discards detail with magnificent lavishness'), or dissenting from the Tao of Pooh ('And it is that word "hummy", my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up').
Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post.
Series: McNally Editions
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Constant Reader
Dorothy Parker's complete weekly New Yorker column about books and people and the rigours of reviewing. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under...Paperback$3799Unit price /UnavailableAvailableShips in 4-6 weeks -
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I Am Alien to Life
The best of Djuna Barnes's dark, droll, incisive short fiction, spanning her all-too-brief career, edited and introduced by Merve Emre. Djuna Barnes is rightly remembered for Nightwood, her breakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most brilliant novels of love between women to be published in...Paperback$3799Unit price /UnavailableAvailableShips in 4-6 weeks -
New York Sketches
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Twice Lost
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Book Details
INFORMATION
ISBN: 9781961341258
Publisher: McNally Jackson Books
Format: Paperback / softback
Date Published: 19 December 2024
Country: United States
Imprint: McNally Jackson Books
Illustration: Illustrations
Contributors:
- Foreword by Sloane Crosley
Audience: General / adult
DIMENSIONS
Width: 127.0mm
Height: 215.0mm
Weight: 250g
Pages: 224
About the Author
Dorothy Parker nee Rothschild (1898-1967), grew up on New York's Upper West Side. She became famous for her comic poems, her short stories, her reviews, and her repartee, as recorded by the columnist Wolcott Gibbs over lunches at the Algonquin hotel. A prolific magazine contributor in her youth and a successful screenwriter (she co-wrote the original A Star is Born), she struggled all her life with alcoholism and wrote very little in her later decades, though continued to be a vocal champion of progressive causes, especially civil rights.
Sloane Crosley is the author of the essay collections I Was Told There'd Be Cake (a 2009 finalist for the Thurber Prize for American Humor), How Did You Get This Number, and Look Alive Out There (a 2019 Thurber Prize finalist); the novels The Clasp and Cult Classic; and, most recently, her memoir, Grief Is for People. A contributing editor at Vanity Fair, she lives in New York City.
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