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Musicology: The Key Concepts

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Musicology: The Key Concepts is a comprehensive A-Z reference guide exploring terms and ideas central to contemporary musicology. This updated 2nd edition integrates over 35 new entries covering topics such as autobiography, music and conflict, postcolonialism, and disability, reflecting critical theory with an emphasis on new musicology. Each entry is updated and supplemented with further reading suggestions, making it an essential resource for students and scholars in music, musicology, and related performance humanities fields.
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Format: Hardback
$27100
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This book is ideal for students and academics engaged in musicology and the performing arts, as well as anyone interested in the critical study of music within cultural and social contexts.

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Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including:

  • Autobiography
  • Music and Conflict
  • Deconstruction
  • Postcolonialism
  • Disability
  • Music after 9/11
  • Masculinity
  • Gay Musicology
  • Aesthetics
  • Ethnicity
  • Interpretation
  • Subjectivity

With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance-related humanities disciplines.

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Book Details

INFORMATION

ISBN: 9780415679671

Publisher: Taylor & Francis Ltd

Format: Hardback

Date Published: 05 February 2016

Country: United Kingdom

Imprint: Routledge

Edition: 2nd edition

Audience: General / adult, Tertiary education

DIMENSIONS

Width: 138.0mm

Height: 216.0mm

Weight: 860g

Pages: 360

About the Author

David Beard is Senior Lecturer in Music at Cardiff University, UK. He has published widely in peer-reviewed journals, including Cambridge Opera Journal, Music Analysis, and Twentieth-Century Music, and is the author of Harrison Birtwistle’s Operas and Music Theatre (2012). He co-edited Harrison Birtwistle Studies (2015) and has contributed chapters to Ancient Drama in Music for the Modern Stage (2010) and Peter Maxwell Davies Studies (2009). He sits on the editorial board of the journal Music & Letters. Kenneth Gloag is Professor of Music at Cardiff University, UK. His publications include books on Tippett’s A Child of Our Time (1999) and Nicolas Maw’s Odyssey (2008). He is author of Postmodernism in Music (2012), and has co-edited and contributed chapters to Peter Maxwell Davies Studies (2009), The Cambridge Companion to Michael Tippett (2013), and Harrison Birtwistle Studies (2015). He was inaugural reviews editor of the journal Twentieth-Century Music (2004–12).

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