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Treading the bawds

Actresses and playwrights on the Late Stuart stage
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Treading the Bawds explores the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights like Aphra Behn and Mary Pix during the early theatres royal era. Drawing on feminist cultural materialist theories, Gilli Bush-Bailey traces their influence through the rebellion that led to a player's co-operative. The book presents neglected women's plays in the context of performance, delving into a playhouse managed by leading actresses and offering a radical take on the anonymous playwright 'Ariadne'. It reveals a vibrant story of female collaboration and influence within the commercial theatre world.
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Format: Paperback / softback
$5299
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This scholarly work will appeal to readers interested in feminist theatre studies, cultural history, and early modern drama enthusiasts.

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Treading the bawds breaks the traditional boundaries that have separated the histories of the first actresses and the early female playwright. This is a story of collaboration and influence, played out on the seventeenth-century London stage as women's words and women's bodies come together for the first time.

Treading the bawds breaks the traditional boundaries that have separated the histories of the first actresses and the early female playwright.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Drawing on feminist cultural materialist theories and historiographies, Treading the bawds analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix. It traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative.

Bush-Bailey offers a fresh approach to the history of women by seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright 'Ariadne'.

It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.

Series: Women, Theatre and Performance

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Michael Caines of The Times Literary Supplement calls the book "a polemical act of revision" that "gives the study of this period in theatre history a welcome jolt."

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Book Details

INFORMATION

ISBN: 9780719072512

Publisher: Manchester University Press

Format: Paperback / softback

Date Published: 01 July 2009

Country: United Kingdom

Imprint: Manchester University Press

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 13.0mm

Width: 138.0mm

Height: 216.0mm

Weight: 281g

Pages: 272

About the Author

Gilli Bush-Bailey is Professor Emerita of Women's Performance History at the Royal Central School of Speech & Drama at the University of London

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