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The Velvet Underground

What Goes On
Brief Description
Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop, and alternative rock. In the 1970s and 80s, Lou Reed, John Cale and Nico produced a number... Read More
Format: Paperback / softback
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"An academic collection that explores and examines The Velvet Underground in the 1960s and the solo activities of band members up to the present"--

An academic collection that explores and examines The Velvet Underground in the 1960s and the solo activities of band members up to the present.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop, and alternative rock.

In the 1970s and 80s, Lou Reed, John Cale and Nico produced a number of works that travelled a path between art and pop. In 1993, the original band members of Reed, Cale, Morrison, and Tucker briefly reunited for live appearances. Afterwards, Reed, Cale, and briefly Tucker, continued to produce music that followed the idiosyncratic path begun in New York in the mid-1960s.

The influence of the band and its members, mediated and promoted through famous fans such as David Bowie and Brian Eno, seems only to have expanded since the late 1960s. In 1996, The Velvet Underground were inducted into the Rock and Roll Hall of Fame, demonstrating how far the band had travelled in 30 years from an avant-garde cult to mainstream recognition of their key contributions to popular music.

In these collected essays, Pattie and Albiez present the first academic book-length collection on The Velvet Underground. The book covers a range of topics, including the band’s relationship to US literature, youth and cultural movements of the 1960s and beyond, and European culture. It examines these contexts from the 1960s through to the present day.

Book Details

INFORMATION

ISBN: 9781501393907

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 18 April 2024

Country: United States

Imprint: Bloomsbury Academic USA

Contributors:

  • Edited by Sean Albiez
  • Edited by David Pattie

Audience: Professional and scholarly

DIMENSIONS

Spine width: 20.0mm

Width: 152.0mm

Height: 228.0mm

Weight: 460g

Pages: 310

About the Author

Sean Albiez is an Independent Scholar and musician. He has published on electronic music, music technology, punk and post-punk. He is currently researching topics in electronic music history and has thirty years experience lecturing in popular music at UK universities and colleges. He is co-editor of Kraftwerk: Music Non Stop (2011) and Brian Eno: Oblique Music (2016), and Contributing Editor (Music Technology) for the Bloomsbury Encyclopedia of Popular Music of the World. He produces electronic music as ghost elektron and - with Martin James - as Nostalgia Deathstar.

David Pattie is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham, UK. He researches and publishes in a number of areas; popular music performance and culture, contemporary British and Scottish theatre, and the work of Samuel Beckett. He is the author of Rock Music in Performance (2007), and the co-editor of the books Kraftwerk: Music Non Stop (2011) and Brian Eno: Oblique Music (2016).

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