The Metabolist Imagination
Japan's postwar urban imagination through the Metabolism architecture movement and visionary science fiction authors
The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In The Metabolist Imagination, William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to foresee the global cities that would emerge in the postwar era.
This first comparative study of postwar Japanese architecture and science fiction builds on the resurgence of interest in Metabolist architecture while establishing new directions for exploration. Gardner focuses on how these innovators created unique versions of shared conceptsβincluding futurity, megastructures, capsules, and cybercitiesβmaking lasting contributions that resonate with contemporary conversations around cyberpunk, climate change, anime, and more.
The Metabolist Imagination features original documentation of collaborations between giants of postwar Japanese art and architecture, such as the landmark 1970 Osaka Expo. It also provides the most sustained English-language discussion to date of the work of Komatsu Saky, considered one of the "big three" authors of postwar Japanese science fiction. These studies are underscored by Gardner's insightful approachβtreating architecture as a form of speculative fiction while positioning science fiction as an intervention into urban designβmaking it a necessary read for today's visionaries.
Book Details
INFORMATION
ISBN: 9781517906245
Publisher: University of Minnesota Press
Format: Paperback / softback
Date Published: 14 April 2020
Country: United States
Imprint: University of Minnesota Press
Illustration: 20
Audience: General / adult, Professional and scholarly
DIMENSIONS
Spine width: 25.0mm
Width: 140.0mm
Height: 216.0mm
Weight: 0g
Pages: 224
About the Author
William O. Gardner is professor of Japanese language, literature, and film at Swarthmore College. He is author of Advertising Tower: Japanese Modernism and Modernity in the 1920s.
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