The Lost Continent of Pan
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The Lost Continent of Pan
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The Lost Continent of Pan
Reveals the Pacific Ur-culture that seeded the ancient civilizations of China, Egypt, India, Mexico, and Peru
Reveals the Pacific Ur-culture that seeded the ancient civilisations of China, Egypt, India, Mexico, and Peru.
The Lost Continent of Pan shows how the Pan diaspora explains the similarities between Gobekli Tepe and Toltec carvings and stone towers in Japan and on Easter Island. It reveals the mother tongue of Pan hidden in shared word roots in vastly different languages, including Quechua, Sanskrit, Japanese, Greek, and Sumerian.
The book explains the red-haired Caucasian mummies of China, the Ainu of Japan, the presence of βwhiteβ humans in early Native American legend, and other light-skinned peoples found in Southeast Asia and the Middle East.
The destruction of the vast continent of Pan--also known as Lemuria or Mu--in the Pacific Ocean 24,000 years ago was the greatest catastrophe that ever befell humanity. Yet it resulted in a prehistoric Golden Age of arts and technology thanks to the Sons of Noah, who, forewarned and prepared for the disaster, escaped in 5 organised fleets. Theirs was the masterful Ur-culture that seeded China, Egypt, India, Mexico, and Peru, explaining the sudden injection of the same advanced knowledge and sophisticated arts into those widely separated lands.
Examining the diaspora from the sunken continent of Pan, Susan B. Martinez finds traces of the oceanic Pan civilisation in arts and technologies from canal-works, masonry, and agriculture to writing, weaving, and pottery, but most importantly in the art of navigation, the hallmark of the survivors of the catastrophe. Using archaeo-linguistic analysis, she reveals the mother tongue of Pan hidden in strikingly similar words for royalty, deities, and important places in vastly different languages, including Quechua, Maori, Sanskrit, Japanese, Chinese, Greek, and Sumerian, as well as English through the prefix βpanβ which denotes βall-encompassing.β
The author reveals how the Pan diaspora explains the mound builders on each continent, the presence of βwhiteβ humans in Native American legend, the red-haired mummies found in China, and the Ainu of Japan. She shares recent genetic studies that reveal Polynesian DNA in central Europeans, Mesopotamians, South Americans, and the 9000-year-old Kennewick man and shows how Pan provides the missing link. She explains why carvings at Gobekli Tepe are similar to Toltec artistry, why stone towers in Japan and Easter Island are identical, and how the Pacific Ring of Fire was activated.
Moving the Garden of Eden from the Fertile Crescent to the South Seas, Martinez strikes down the pervasive view of Atlantis as the source of ancient knowledge and exposes the original unity of mankind on the ancient Pacific continent of Pan.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Reviews praise The Lost Continent of Pan for its thrilling narrative and insightful exploration of mankind's enigmatic past. The book is commended for surpassing conventional teachings and providing a convincing argument for a historical global catastrophe. Readers appreciate its scholarly depth and the compelling case for ancient multicultural interactions and migrations.
Book Details
INFORMATION
ISBN: 9781591432678
Publisher: Inner Traditions Bear and Company
Format: Paperback / softback
Date Published: 26 January 2017
Country: United States
Imprint: Bear & Company
Illustration: 284 b&w illustrations
Audience: General / adult
DIMENSIONS
Spine width: 25.0mm
Width: 152.0mm
Height: 229.0mm
Weight: 701g
Pages: 512
About the Author
Susan B. Martinez, Ph.D., is a writer, linguist, teacher, paranormal researcher, and recognized authority on the Oahspe Bible with a doctorate in anthropology from Columbia University. The author of several books, including Time of the Quickening and The Mysterious Origins of Hybrid Man, she lives in Clayton, Georgia.
Also by Susan B. Martinez
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