The Intellect Handbook of Documentary
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The Intellect Handbook of Documentary
The growth of documentaries and their role in culture, activism, and social impact.
The Intellect Handbook of Documentary is an important go-to resource for practitioners, scholars, and students in this burgeoning field. It tackles key topics and debates including the role of documentary in post-truth culture, the rise of streaming giants, and the implications for national documentary cultures. Additionally, it addresses the shifting, increasingly hybrid practices of documentary activism and the professionalisation of impact. Featuring work by key figures in international documentary scholarship and talented emerging scholars, the Handbook is a landmark publication for documentary studies in the twenty-first century.
The Handbook is broad in its scope, incorporating historical, theoretical, empirical, and practical scholarship. It is organised around ten key themes and debates: What and where is documentary (studies); documentary in an age of epistemic uncertainty; documentary histories; documentary and the archive; audio and visualities; documentary relationalities; beyond the Anthropocene; digital and documentary practices; documentary and (new) politics; and a golden age of documentary distribution and funding. Importantly, the Handbook incorporates the voices and practices of practitioners from the Global South, challenging the dominance of Western voices in documentary scholarship.
Book Details
INFORMATION
ISBN: 9781835950685
Publisher: Intellect
Format: Hardback
Date Published: 07 April 2025
Country: United Kingdom
Imprint: Intellect Books
Illustration: 32 Halftones, black and white
Contributors:
- Edited by Deane Williams
- Edited by Prof. Kate Nash
Audience: Professional and scholarly
DIMENSIONS
Spine width: 29.0mm
Width: 170.0mm
Height: 244.0mm
Weight: 1023g
Pages: 518
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About the Author
Kate Nash is Professor of Media and Communication at the University of Newcastle, Australia. She has published widely in the areas of documentary ethics, interactive documentary and on the relationship between documentary and politics. Her books include New Documentary Ecologies (2014 with Craig Hight and Catherine Summerhayes) and Interactive Documentary: Theory and Debate (2020). She is Co-Editor (with Craig Hight) of Studies in Documentary Film.
Deane Williams is Associate Professor of Film and Screen Studies at Monash University, Melbourne. From 2007-2017 he was editor of the journal Studies in Documentary Film, and his books include Australian Post-War Documentary Film: An Arc of Mirrors (2008), Michael Winterbottom (with Brian McFarlane, 2009), the three-volume Australian Film Theory and Criticism (co-edited with Noel King and Constantine Verevis, 2013โ2017), The Cinema of Sean Penn: In and Out of Place (2016) and (with Julia Vassilieva) editor of Beyond the Essay Film: Subjectivity, Textuality and Technology (2021).
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