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Owning the Masters
A History of Sound Recording Copyright
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Format: Paperback / softback
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Owning the Masters
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
Scholars, students and professionals interested in arts, culture, intellectual property law and the music industry will find this book highly informative and essential.
"The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception"--
The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception.
Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
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Description
Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights.
The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves.
In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled ‘pirates’ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
Series: Alternate Takes: Critical Responses to Popular Music
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Owning the Masters
Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This...Paperback$10800Unit price /UnavailableAvailableShips in 2-3 weeks
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
David Arditi praises Owning the Masters for its balanced historical narrative, showing copyright as both a tool for record labels to monetise artists and a means for artists to benefit financially from their work. He considers it indispensable reading for understanding copyright's modern role.
Book Details
INFORMATION
ISBN: 9781501345906
Publisher: Bloomsbury Publishing Plc
Format: Paperback / softback
Date Published: 15 December 2022
Country: United States
Imprint: Bloomsbury Academic
Audience: Tertiary education
DIMENSIONS
Spine width: 18.0mm
Width: 152.0mm
Height: 226.0mm
Weight: 400g
Pages: 256
About the Author
Richard Osborne is Associate Professor in Music and Creative Industries at Middlesex University, UK. Prior to working in academia he was employed in music retail, held various posts at collecting societies and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012), and co-editor of Mute Records (2019) and Music by Numbers (2021).
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