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Corporate Life in the Digital Music Industry

Remaking the Major Record Label from the Inside Out
Brief Description
Drawing on a deep and long-term first-hand engagement with major labels in the early years of the 21st century, Corporate Life in the Digital Music Industry sheds new light on life ‘behind the scenes’ during a time of drastic and far-reaching transformation. Refreshingly, it centres not... Read More
Format: Paperback / softback
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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Drawing on a deep and long-term first-hand engagement with major labels in the early years of the 21st century, Corporate Life in the Digital Music Industry sheds new light on life ‘behind the scenes’ during a time of drastic and far-reaching transformation.

Refreshingly, it centres not on artists and the most powerful decision-makers but on everyday experiences of work and back-office corporate employees. Doing so reveals the internal activities and conflicts that, while hidden from public view, enable processes of change: from paperwork, data systems, managerial pressures, and redundancies to graduate training schemes, departmental politics, and shared playlists.

This provides a new route into understanding the broader cultures and infrastructures of the global recording industry. This oft-forgotten office work tells a different story of contemporary digital music, one more sensitive to the complex intersections that texture the conduct of work and organisational life.

Series: Alternate Takes: Critical Responses to Popular Music

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Book Details

INFORMATION

ISBN: 9781501387227

Publisher: Bloomsbury Publishing Plc

Format: Paperback / softback

Date Published: 19 September 2024

Country: United States

Imprint: Bloomsbury Academic

Audience: Professional and scholarly

DIMENSIONS

Spine width: 16.0mm

Width: 152.0mm

Height: 228.0mm

Weight: 400g

Pages: 264

About the Author

Toby Bennett teaches and researches Media, Culture and Organization at the University of Westminster, UK. He has previously worked in rights management and with labels, entrepreneurs and policy actors in arts, creative and music industries.

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