Out of the Basement
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Out of the Basement
Out of the Basement
Out of the Basement tells the story of underground music in post-industrial Rockford, Illinois. This is a bracing, candid, democratic and cutting edge portrayal of a rust belt city full of rebel kids making DIY music despite the odds.
It combines oral history, brutally honest memoir, music history, and a sense of blunt poetics to capture the ethos of life in the 1970s-2000s, long before the Internet made punk accessible to small towners.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
David Ensminger's Out of the Basement is praised for its engaging personal narratives and historical accounts of punk's development in Rockford, Illinois. Reviewers highlight how Ensminger vividly captures the punk community's creation from the town's industrial decline, showcasing its DIY ethos and cultural impact. His work is noted for combining scholarly reflection with personal energy, effectively illustrating the essence and artistic legacy of the punk movement.
Book Details
INFORMATION
ISBN: 9781621067665
Publisher: Microcosm Publishing
Format: Paperback / softback
Date Published: 14 February 2017
Country: United States
Imprint: Microcosm Publishing
Illustration: 1 Illustrations
Audience: General / adult
DIMENSIONS
Width: 142.0mm
Height: 178.0mm
Weight: 0g
Pages: 96
About the Author
David A. Ensminger is a college instructor and the author of four books covering both American roots music and punk rock history Β Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation (Univ. Press of Mississippi, 2011), Mojo Hand: The Life and Music of Lightnin' Hopkins (Univ. of Texas Press, 2013), Left of the Dial: Conversations with Punk Icons (PM Press, 2013), Mavericks of Sound: Conversations with the Artists Who Shaped Indie and Roots Music (Rowman and Littlefield, 2014), and The Politics of Punk (Rowman and Littlefield, Jan 2016). Both the Boston Globe and The Economist have highlighted his research; meanwhile, he writes for publications like Art in Print, the Journal of Popular Music Studies, Houston Press, Trust (Germany), Artcore (Britain), and Maximum Rock'n'Roll. He lives in Houston, TX.
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