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Music as Thought
Listening to the Symphony in the Age of Beethoven
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Music as Thought
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is ideal for readers interested in music history, philosophy of music, and cultural shifts in musical appreciation during the early nineteenth century. Scholars, students, and general readers fascinated by Beethoven, symphonic music, and the intellectual context of musical listening will find this work particularly compelling.
Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and em
Book Hero Magic formatted this description to make it easier to read. While it's new and
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Description
Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language.
What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this fundamental shift in attitudes toward listening in the late eighteenth and early nineteenth centuries.
Focusing on responses to the symphony in the age of Beethoven, Mark Evan Bonds draws on contemporary accounts and a range of sourcesβphilosophical, literary, political, and musicalβto reveal how this music was experienced by those who heard it first. Music as Thought is a fascinating reinterpretation of the causes and effects of a revolution in listening.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Alex Ross, The New Yorker calls it "a fascinating new book." Patricia Howard, Currents praises it as "a cogent and well-illustrated account" that clarifies complex ideas and convincingly argues for a 'revolution in listening.' John Stine, Music Research Forum appreciates Bonds' clear and accessible presentation of philosophical discussions, making the book illuminating for readers regardless of prior exposure to the era's musical thought.
Book Details
INFORMATION
ISBN: 9780691168050
Publisher: Princeton University Press
Format: Paperback / softback
Date Published: 28 July 2015
Country: United States
Imprint: Princeton University Press
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Width: 152.0mm
Height: 235.0mm
Weight: 28g
Pages: 208
Collections
About the Author
Mark Evan Bonds is Professor of Musicology at the University of North Carolina, Chapel Hill. His previous books include Wordless Rhetoric: Musical Form and the Metaphor of the Oration and After Beethoven: Imperatives of Originality in the Symphony. He is a former editor in chief of Beethoven Forum.
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