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Gordon Parks: Pittsburgh Grease Plant, 1944-1946

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Between 1944 and 1946, Gordon Parks documented the Penola, Inc. Grease Plant in Pittsburgh, capturing the industrial life central to the city's history during World War II. Commissioned by the Standard Oil Company, Parks produced over 100 striking photographs that portray the daily work and social dynamics of Black and white workers, highlighting divisions of race, class, and role in the workforce. These images, used for marketing and published widely, extend beyond mere documentation to explore broader themes of labour and its socio-economic impact in wartime America.
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Format: Hardback
$13000
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book will appeal to readers interested in photography, industrial and labour history, social issues, and the work of Gordon Parks prior to his notable career with Life magazine. It is suited for both art enthusiasts and scholars of American history during the World War II era.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

By 1944, Gordon Parks had established himself as a photographer who freely navigated the fields of press and commercial photography, with an unparalleled humanist perspective. That year, Roy Stryker—the former Farm Security Administration official now heading the public relations department for the Standard Oil Company (New Jersey)—commissioned Parks to travel to Pittsburgh, Pennsylvania, and document the Penola, Inc. Grease Plant.

Parks spent two years chronicling the plant's industry—critical to Pittsburgh's history and character—by photographing its workers and their occupations. The resulting images, dramatically staged, lit, and composed, showed the range of activities for Black and white workers, divided by roles, race, and class. The photographs were used for marketing and made available to local and national newspapers, as well as corporate magazines and newsletters. Yet they served as much more than a documentation of industry, enduring as an exploration of labour and its social and economic ramifications in World War II America.

Featuring more than 100 photographs, many previously unpublished, this is the first book to focus exclusively on Parks' work for the Standard Oil Company, illuminating an important chapter in his œuvre prior to his landmark career as a staff photographer for Life magazine.

Co-published by The Gordon Parks Foundation and the Carnegie Museum of Art.

Book Details

INFORMATION

ISBN: 9783969990056

Publisher: Steidl Publishers

Format: Hardback

Date Published: 02 June 2022

Country: Germany

Imprint: Steidl Verlag

Illustration: 153 Illustrations

Contributors:

  • Contributions by LaToya Ruby Frazier
  • Edited by Peter W. Kunhardt Jr
  • Edited by Dan Leers
  • Contributions by Philip Brookman
  • Contributions by Mark Whittaker

Audience: General / adult

DIMENSIONS

Width: 250.0mm

Height: 290.0mm

Weight: 1700g

Pages: 224

About the Author

Gordon Parks (1912-2006) was a photographer, filmmaker, musician and author whose 50-year career focused on American culture, social justice, race relations, the civil rights movement and the Black American experience. Born into poverty and segregation in Fort Scott, Kansas, Parks was awarded the Julius Rosenwald Fellowship in 1942, which led to a position with the Farm Security Administration. By the mid-1940s he was working as a freelance photographer for publications such as Vogue, Glamour and Ebony. Parks was hired in 1948 as a staff photographer for Life magazine, where for more than two decades he created groundbreaking work. In 1969 he became the first Black American to write and direct a major feature film, The Learning Tree, based on his semi-autobiographical novel, and his next directorial endeavour, Shaft (1971), helped define a film genre. Parks continued photographing, publishing and composing until his death in 2006.

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