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Fools & Folly in Flemish Art

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This insightful art book explores the complex role of humour, folly and the fool in medieval Flemish art. Larry Silver examines how laughter and folly, traditionally seen as dangerous or sinful, reveal hidden truths and challenge social norms. Through detailed analysis of works by Flemish masters, the book reveals how fools and jesters symbolised both unruly urges and incisive social critique in the late Middle Ages.
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Format: Hardback
$550
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in medieval art, cultural history, and the symbolism of humour in art. Suitable for art historians, students, and anyone fascinated by the interplay of virtue, folly and society in Flemish masterpieces.

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In praise of folly: on the fool and the jester in Flemish art, an important motif in medieval art, especially in the Low Countries.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description
According to medieval theologians, faith is a deadly serious business. Humour and virtue are irreconcilable, because laughter is uncontrollable and escapes the control of reason. A modest smile is permitted. But laughing loudly, grinning and grimacing: these are the playing field of the devil Β– just as pernicious as other uncontrollable urges, such as physical love or the addiction of the gambler. That is the domain of the peasant or fool. In the late Middle Ages, every right-thinking town-dweller knew the difference between the peasant and the fool. Peasants are innocently gullible, primitive, throwing themselves into feasting, gorging, drinking and sex. The peasant is the antithesis of the cultivated urbanite, who fastidiously controls his urges Β– and who therefore above all must not laugh too loudly. Only during Innocents Day parties or Shrove Tuesday celebrations is it permitted for urban partygoers to play the fool and to show their 'underbelly'. In contrast to the peasant, the fool escapes the existing order. He holds up a mirror to the self-declared wise citizens, because 'the fool reveals the truth through laughter', even though it may be hidden between piss and shit, sex and snot. It is for precisely this reason that Erasmus, in his In Praise of Folly writes not as himself but through the persona of Folly, a broad back behind which the wise person can hide when he denounces social problems. Laughter thus alters the world. In this context, the fool and irony became important motifs in medieval art, especially in the Low Countries. This original art book is illustrated with dozens of top-quality works by Flemish masters from worldwide collections. Larry Silver is professor of art history at the University of Pennsylvania and the author of the monograph Hieronymus Bosch. He is renowned worldwide as one of the most important art historians of our age. With an introduction by Dr. Katharina Van Cauteren, art historian and chief of staff at The Phoebus Foundation. SELLING POINTS: . In praise of folly: on the fool and the jester in Flemish art . Published to accompany an exhibition at Denver Art Museum - Saints, Sinners, Lovers, and Fools, October 16, 2022 - January 22, 2023 120 colour illustrations

Book Details

INFORMATION

ISBN: 9789463887816

Publisher: Hannibal Books

Format: Hardback

Date Published: 23 February 2023

Country: Belgium

Imprint: Hannibal Books

Illustration: 120 Illustrations, color

Audience: General / adult

DIMENSIONS

Width: 250.0mm

Height: 290.0mm

Weight: 1742g

Pages: 256

About the Author

Larry Silver is professor of art history at the University of Pennsylvania and the author of the monograph Hieronymus Bosch. He is renowned worldwide as one of the most important art historians of our age.

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