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Colette

Brief Description
This intellectual biography of Colette-the final volume of Julia Kristeva's trilogy on "female genius"-is a major breakthrough in understanding one of the great creative minds of the twentieth century. Colette (1873-1954) was a prolific novelist who celebrated sexual pleasure and invented a language for it at... Read More
Format: Paperback / softback
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The final volume of Julia Kristeva’s trilogy on β€œfemale genius,” Colette interlaces commentary on the life and work of the notorious French novelist who made it possible for women to write erotic literature.

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This intellectual biography of Colette-the final volume of Julia Kristeva's trilogy on "female genius"-is a major breakthrough in understanding one of the great creative minds of the twentieth century.

Colette (1873-1954) was a prolific novelist who celebrated sexual pleasure and invented a language for it at a time when women writers were inhibited about dealing with the topic. Female sexuality in a male-dominated world and the joys and pains of love served as her main themes, and her novels-Cheri, La Chatte, and Gigi, among them-blurred the boundaries between fact and fiction long before autobiographical novels became commonplace. She married three times, had male and female lovers, and for a time supported herself as a mime, dancing semi-nude in music halls throughout France. When she died, she received the first state funeral the French Republic had ever given a woman.

Colette's writing was inspired by entertainers, courtesans, an aristocratic Parisian lesbian subculture, and fin de siècle gay aesthetes. She admired those who lived on the sexual edge and was accused of moral corruption in intellectual matters-she published in pro-Vichy, anti-Semitic journals during the Occupation, even as she fought to keep her Jewish third husband from deportation. Kristeva deftly examines Colette's controversial life and work and considers two of her most important influences, Honoré de Balzac and Marcel Proust. Paying particular attention to the language the French writer used to "say the unsayable and name the unnameable," Kristeva offers an elegant and sophisticated critique of Colette's psychological conflicts, particularly her sexual relationships and how these conflicts are both recorded in and resolved through the act of writing.

Appealing to Freudian and Lacanian concepts such as the Oedipus complex, perversion, the symbolic, and melancholy, Kristeva opens Colette's oeuvre to psychoanalytic interpretation. The impression that remains is of a woman intent on experiencing the world's pleasures-its jouissance.

Series: European Perspectives: A Series in Social Thought and Cultural Criticism

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Book Details

INFORMATION

ISBN: 9780231223911

Publisher: Columbia University Press

Format: Paperback / softback

Date Published: 16 June 2026

Country: United States

Imprint: Columbia University Press

Illustration: 10 halftones

Contributors:

  • Translated by Jane Marie Todd

Audience: General / adult, Tertiary education

DIMENSIONS

Width: 140.0mm

Height: 216.0mm

Weight: 0g

Pages: 504

About the Author

Julia Kristeva is professor emerita of linguistics at the UniversitΓ© de Paris VII. A renowned psychoanalyst, philosopher, and linguist, she has written dozens of books spanning semiotics, political theory, literary criticism, gender and sex, and cultural critique, as well as several novels and autobiographical works, published in English translation by Columbia University Press. Kristeva was the inaugural recipient of the Holberg International Memorial Prize in 2004 β€œfor innovative explorations of questions on the intersection of language, culture, and literature.”

Jane Marie Todd (1957–2021) translated more than ninety books for university presses and art museums.

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