Alfred Hitchcock and Film Noir
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Alfred Hitchcock and Film Noir
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See moreA thorough analysis of Alfred Hitchcock's career-long engagement with, and influence on film noir
Alfred Hitchcock and Film Noir explores Alfred Hitchcock's major influence on the development and flourishing of film noir. His noir films became an inspirational foundation of the neo-noir movement starting in the 1970s, with directors like Brian de Palma creating mash-up homages to Hitchcock originals such as Obsession (1976) and Body Double (1984). These works, alongside the dark political thrillers of the era exploring the underside of American life, owe a substantial debt to Hitchcock.
Despite this, the central role of Hitchcock in the long history of film noir has seldom been acknowledged in work dedicated to his career and noir criticism more generally. Instead, there has been a tendency to consider Hitchcock's many dark thrillers and crime melodramas as sui generisβ"Hitchcock films" that are somehow separate and distinct from industry trends. Such perspectives underestimate Hitchcock's substantial contributions to film history by taking a narrow view of his accomplishments.
Alfred Hitchcock and Film Noir will be the first book-length treatment to explore the impressive corpus of Hitchcock noir films, considered explicitly as a part of the noir genre. This work extends to examine his connection to the emergence and flourishing of this important cinematic trend.
Book Details
INFORMATION
ISBN: 9781399535182
Publisher: Edinburgh University Press
Format: Paperback / softback
Date Published: 29 May 2026
Country: United Kingdom
Imprint: Edinburgh University Press
Illustration: 40 black and white illustrations
Contributors:
- Edited by R. Barton Palmer
- Edited by Homer B. Pettey
Audience: Professional and scholarly
DIMENSIONS
Width: 156.0mm
Height: 234.0mm
Weight: 0g
Pages: 344
About the Author
R. Barton Palmer is Calhoun Lemon Professor of Literature Emeritus at Clemson University. He is the author, editor, or general editor of many books including Hollywood's Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). He is the series editor for EUP's traditions in World Cinema, Traditions in American Cinema and International Film Stars series, and he is co-editor of five recent EUP books: Michael Mann, George Cukor, Film Noir, International Noir and The Other Hollywood Renaissance. Homer B. Pettey is Professor Emeritus of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.).
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