About Michael Baxandall
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About Michael Baxandall
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A group of art historians reflect on the work of Michael Baxandall both in terms of its importance for their own formation, and its location in the development of a new art history on the one hand and the broader languages and theories of contemporary cultural theory on the other.
A distinguished group of art historians reflect on the work of Michael Baxandall, in terms of its importance for their own formation, its location in the development of a new art history, and its influence on the broader languages and theories of contemporary cultural theory.
The volume deploys the meaning of the word 'about' both as an adverb and a preposition to weave a tissue of readings through and around the writing of Baxandall in such a way as both to characterise its importance in recent thinking on art and cultural history and to displace it from a conventional understanding.
Working critically, analytically and through analogy, the essays not only rethink Baxandall through a cultural theory in which he takes an unexpected position alongside Aby Warburg and Walter Benjamin, but position his ideas in the conceptual fields of a Marcel Duchamp or a Donald Judd.
Alternatively, they historicise his thinking in a context of modern ethnographic, sociological and feminist methodologies, or one of important considerations on such concepts as material culture or artistic production as figures in the writing of art history.
Series: Art History Special Issues
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INFORMATION
ISBN: 9780631211914
Publisher: John Wiley and Sons Ltd
Format: Paperback / softback
Date Published: 01 January 1999
Country: United Kingdom
Imprint: Wiley-Blackwell
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 8.0mm
Width: 173.0mm
Height: 246.0mm
Weight: 308g
Pages: 144
About the Author
Adrian Rifkin is Professor of Fine Art at the University of Leeds.
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