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Picturesque and Sublime

Thomas Cole's Trans-Atlantic Inheritance
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Picturesque and Sublime delves into early 19th-century landscape art, exploring the competing ideals of the picturesque, which celebrates visual pleasure and tourism, and the sublime, associated with awe and fear. The book highlights British artists like J.M.W. Turner and John Constable, whose landscape paintings gained international acclaim through prints. It then traces the journey of Thomas Cole, an English-born artist who emigrated to America, adopting and transforming European traditions to pioneer a unique American sublime style. Richly illustrated with works on paper and paintings, the volume also examines the parallel contributions of William Guy Wall and the influential role of print media in artistic transmission.
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Format: Paperback / softback
$5999
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This book appeals to readers interested in art history, particularly those fascinated by 19th-century landscape painting, transatlantic artistic exchanges, and the evolution of aesthetic concepts. It suits students, scholars, and enthusiasts of British and American art.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasised touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists, including J.M.W. Turner and John Constable, raised landscape painting to new heights, and their work reached global audiences through the circulation of engravings.

Thomas Cole, born in England, emigrated to the United States in 1818 and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio.

Beautifully illustrated with works on paper ranging from watercolours to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in artβ€”the American sublime.

Published in association with the Thomas Cole National Historic Site

Exhibition Schedule:

Thomas Cole National Historic Site
(05/01/18–11/04/18)

Book Details

INFORMATION

ISBN: 9780300233537

Publisher: Yale University Press

Format: Paperback / softback

Date Published: 06 March 2018

Country: United States

Imprint: Yale University Press

Illustration: 120 color illus.

Audience: General / adult

DIMENSIONS

Width: 229.0mm

Height: 279.0mm

Weight: 1179g

Pages: 192

About the Author

Tim Barringer is Paul Mellon Professor in the History of Art at Yale University. Gillian Forrester is senior curator of historic fine art at the Whitworth Art Gallery, Manchester. Jennifer Raab is assistant professor in the history of art at Yale University. Sophie Lynford and Nicholas Robbins are doctoral candidatesΒ in the history of art at Yale University.

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