Philosophy of Modern Music
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Philosophy of Modern Music
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Philosophy of Modern Music
In this classic work of music theory, Adorno critiques two major composers, Arnold Schoenberg and Igor Stravinsky, whom he presents as dialectically opposed to one another in terms of their musical styles, techniques, and directions.
Adorno’s readings, especially of Schoenberg, continue to cause controversy and disagreement among musicians, music lovers, and philosophers today. As always with Adorno, a wide range of social, cultural, philosophical, and political questions are raised in the process of his critique, making the reader see the form and function of music in startling new ways.
The book also covers other renowned composers, including Wagner, Bach, and Mozart. This is a landmark work of philosophy that has shaped the way we think about music today.
Series: Bloomsbury Revelations
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Philosophy of Modern Music by Theodor W. Adorno is noted for blending his interest in contemporary music with the analytical depth reminiscent of Walter Benjamin's approach to German tragedy. Reviewers highlight its influence and importance in critiquing the modern music landscape, particularly emphasising Adorno's focus on composers like Schoenberg.
Book Details
INFORMATION
ISBN: 9781474288866
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 20 October 2016
Country: United Kingdom
Imprint: Bloomsbury Academic
Audience: Tertiary education
DIMENSIONS
Spine width: 14.0mm
Width: 136.0mm
Height: 214.0mm
Weight: 260g
Pages: 200
About the Author
Theodor W. Adorno (1903-1969) was a founder and arguably the foremost thinker of the Frankfurt School. He worked with Max Horkheimer at the New York Institute for Social Research, USA, and later taught at the University of Frankfurt, Germany, until his death in 1969.
Also by Theodor W. Adorno
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