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Skin in the Game

Conversations on Risk and Contention
Brief Description
No Going Back Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book, written in a conversational style, Clémentine Deliss expands on how artists today understand the creativity to be found in historical research collections. Questions are raised... Read More
Format: Paperback / softback
$5499
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No Going Back

Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book, written in a conversational style, Clémentine Deliss expands on how artists today understand the creativity to be found in historical research collections. Questions are raised on how to work with contentious collections, the law from the perspective of Indigenous artists, and the concept of the "prototype" that defines an artist's career.

Deliss speaks with leading women artists—Ruth Buchanan, Otobong Nkanga, Collier Schorr, Rosemarie Trockel, Joëlle Tuerlincx, and Andrea Zittel—about their moment of "skin in the game," when they knew there was no going back, and that art practice would become their Hades and paradise in one. What was the prototype that defined their practice and that, like a revenant, returns over the course of an artist's lifetime?

Series: Hatje Cantz Text

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Book Details

INFORMATION

ISBN: 9783775756136

Publisher: Hatje Cantz

Format: Paperback / softback

Date Published: 25 January 2024

Country: Germany

Imprint: Hatje Cantz

Illustration: 69 Illustrations, color

Contributors:

  • Designed by Neil Holt
  • Text by Clémentine Deliss

Audience: General / adult

DIMENSIONS

Width: 140.0mm

Height: 210.0mm

Weight: 400g

Pages: 244

About the Author

Clémentine Deliss is an independent curator whose practice crosses the borders of contemporary art, critical anthropology and curatorial experimentation. She is internationally recognized for her seminal work on African modernism, interventionist practices, and the publishing organ Metronome. She is Honorary Global Humanities Professor of History of Art at the University of Cambridge, and Associate Curator at KW Institute for Contemporary Art in Berlin.

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