God in the Machine
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God in the Machine
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A teleoperated robot roaming in the streets of Mumbai enables anyone to put oneself in the place of the Hindu god Ganesha and have a conversation. God in the Machine explores the Ganesh Yourself experiment, a fascinating exercise in anthropology that leads to a radical deconstruction of religion, politics, and technology.
A teleoperated robot roaming in the streets of Mumbai enables anyone to put oneself in the place of the Hindu god Ganesha and have a conversation. Initially conceived as an anthropological experiment, the machine was launched in 2014 and became a collective, political and metaphysical experience.
Can a machine make a good divine interface? Likewise, what might be the virtues of hacking a god to understand our relation to machines?
The Ganesh Yourself experiment is not only a fascinating exercise in anthropology by design, the first of this kind, but it also leads to a radical deconstruction of religion, politics and technology, opening unthinkable possibilities.
God in the Machine by Saana Hansen explores these themes with depth and nuance, making it an intriguing read for anyone interested in the intersection of technology and spirituality.
Series: Ethnography, Theory, Experiment
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INFORMATION
ISBN: 9781836955276
Publisher: Berghahn Books
Format: Hardback
Date Published: 15 May 2026
Country: United Kingdom
Imprint: Berghahn Books
Illustration: Bibliography; Index; 28 Illustrations
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Width: 152.0mm
Height: 229.0mm
Weight: 0g
Pages: 232
About the Author
Emmanuel Grimaud is an anthropologist, film maker and research director at the CNRS (LESC, Paris Nanterre). He is the author of Bollywood Film Studio (2004, CNRS Editions), Gandhi's Lookalike (2007, CNRS editions), Gods and Robots (2008, L'Archange Minotaure), The Day Robots Will Eat Apples (2011, PETRA), The Strange Encyclopaedia of Dr K (2014), God.0 (PUF, 2021), and Metavertigo (2024, La Decouverte). His directed films include Ganesh Yourself (2016), Black Hole: Why I Have Never Been a Rose (2019) and Stoned (2024). He was curator of the exhibition βPersona, Γ©trangement humainβ (2016) and is the Co-Editor in Chief of the French anthropological journal Terrain.
Also by Saana Hansen
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