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Something Close to Music

Series: Ekphrasis
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( 67 ratings, 11 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Something Close to Music is an intimate collection that pairs John Ashbery's later poetry and art writings with curated playlists from his personal music library. This unique volume explores how Ashbery's ekphrastic poetry interacts with contemporary art and complex classical music, inviting readers to experience the interwoven textures and innovative artistic strategies that defined his creative output.
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Format: Paperback / softback
$1999
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book will appeal to readers interested in modern poetry, art criticism, and the interplay between literature and music within arts and culture.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

An intimate and unique collection of the work of John Ashbery—a prolific poet and art critic—pairing poetry and art writings with playlists of music from his personal library.

Something Close to Music places poetry by Ashbery (1927-2017), gathered from his later collections, in conversation with a selection of contemporaneous art writing. In addition, as Ashbery loved music and listened to it while writing, the "playlists" here offer representative samplings of music from these same years, culled from Ashbery's own library of recordings.

Ashbery's poetry is frequently described as ekphrastic. Rather than writing a poem "based on" or "inspired" by the content of an artwork or piece of music, he engages with how the experience of seeing it and the artistic strategies employed offer ways of thinking about it and through it. Many of the observations from Ashbery's art writing also offer keys to how we might read his poetry.

Many of the recordings he listened to feature contemporary classical works that emphasize complex textures, disparate sounds, and disjunct phrases. Ashbery's poetry similarly plays with a diversity of poetic textures and sudden turns such that a reader might construct multiple narratives or pathways of meaning. He rarely offers linear stories or focuses on evocative descriptions of a scene or object.

In exploring this ekphrastic book project, the reader is invited to discover how, for Ashbery, these three forms might illuminate and inform one another.

Series: Ekphrasis

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Book Details

INFORMATION

ISBN: 9781644230701

Publisher: David Zwirner

Format: Paperback / softback

Date Published: 12 May 2022

Country: United States

Imprint: David Zwirner

Audience: General / adult

DIMENSIONS

Width: 108.0mm

Height: 178.0mm

Weight: 150g

Pages: 96

About the Author

John Ashbery (1927-2017) was born in Rochester, New York. He was the author of more than twenty-five books of poetry, including Commotion of the Birds, Breeze way, Quick Question, Planisphere, Notes from the Air, which was awarded the 2008 International Griffin Poetry Prize, A Worldly Country, Where Shall I Wander, Self-Portrait in a Convex Mirror, which received the Pulitzer Prize for Poetry, the National Book Critics Circle Award, and the National Book Award, and Some Trees, which was selected by W. H. Auden for the Yale Younger Poets Series in 1955. The winner of many other prizes and awards both nationally and internationally, he received the Medal for Distinguished Contribution to American Letters from the National Book Foundation in 2011 and a National Humanities Medal, presented by President Barack Obama at the White House, in 2012.

Mónica de la Torre is a poet and essayist. Her books include Repetition Nineteen (2020) and The Happy End/All Welcome (2017), a riff on Martin Kippenberger's 1994 art installation The Happy End of Franz Kafka's "Amerika," itself a riff on Kafka's unfinished novel Amerika. Born and raised in Mexico City, she is also the author of several collections in Spanish, including the image text volume Taller de Taquimecanografía (2011), an exquisite corpse composed with the eponymous women's art collective she helped form. Recent writing appears in Felix Gonzalez Torres's Photostats and Lucy Raven's Dia Chelsea publication. She coedited the anthology Women in Concrete Poetry 1959-1979 (2020) and teaches at Brooklyn College.

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