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Strange Impressions

Series: Ekphrasis
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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Strange Impressions explores the life and art of Romaine Brooks, renowned for her bold, dark portraits that challenge traditional gender roles and sexuality. Through her feminist lens, Brooks imbues her subjects with strength and individuality, contrasting with contemporaries who often distorted their figures. This volume draws on Brooks's own reflections, illuminating her complex relationships and securing her place in the modernist art movement.
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Format: Paperback / softback
$2499
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

Ideal for readers interested in feminist art, LGBTQ+ history, modernist painters, and those keen to understand the intersections of gender, sexuality, and culture in early twentieth-century art.

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Strange Impressions

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Most known for her bold and darkly painted portraits, Brooks was revolutionary in her feminist renderings of women in resistance. Openly queer, she challenged conceptions of gender and sexuality in her art, which also served as her refuge.

While many of her male counterparts were disfiguring and cubing their subjects—often women—Brooks gave personhood and power to the figures she painted. Her frank approach to her complicated relationship with her mother, faith, wealth, sexuality, and gender is complemented by a keen wit that echoes the grey tones of her work.

Though her paintings are held in major collections, Brooks's influence in modernist circles of the early twentieth century is largely underexplored. This new publication, Strange Impressions, guided by Brooks's own impressionistic musings, bridges an important gap between the art and the artist. An introduction by Lauren O'Neill-Butler explores Brooks's role as an artist in the early twentieth century through the lens of gender and sexuality.

Series: Ekphrasis

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Book Details

INFORMATION

ISBN: 9781644230824

Publisher: David Zwirner

Format: Paperback / softback

Date Published: 03 November 2022

Country: United States

Imprint: David Zwirner

Illustration: 1 Illustrations

Contributors:

  • Introduction by Lauren O’Neill-Butler

Audience: General / adult

DIMENSIONS

Width: 108.0mm

Height: 178.0mm

Weight: 150g

Pages: 144

About the Author

Romaine Brooks (1874-1970) was an American painter most known for her muted color palette and deeply personal portraits that challenged conventional ideas of gender and sexuality. Among her sitters were the dancer Ida Rubinstein and the poet and novelist Natalie Barney. She spent most of her life in Paris, where she was a leading figure of an artistic counterculture of upper-class Europeans and American expatriates, many of whom were creative, bohemian, and homosexual. Brooks's career reached its height in 1925, when her work was exhibited in London, Paris, and New York. In the 1930s, Brooks began work on her autobiography, No Pleasant Memories, which consists of sketches of her troubled childhood, musings on artists' roles in society, and reflections on her own rejection of the norms and traditions of art. Largely forgotten by art history, Brooks bequeathed a number of her paintings to the Smithsonian American Art Museum, Washington, DC, where recent exhibitions have sparked a renewed interest in her work.

Lauren O'Neill-Butler is a New York-based writer whose book Let's Have a Talk: Conversations with Women on Art and Culture brings together nearly ninety interviews. A cofounder of the nonprofit magazine November and a former senior editor of Artforum, she has also contributed to Aperture, Art Journal, Bookforum, and The New York Times. Her essays have appeared in monographs on Maria Lassnig, Leilah Babirye, and Carrie Moyer, among other artists. In 2020, she received a Warhol Foundation Art Writers Grant. She holds graduate degrees in art history and philosophy, and has been a visiting critic at Cooper Union, Stony Brook University, USC, Rutgers, Yale, and the University of Chicago. She is currently part-time faculty at Hunter College and the New School and has previously taught courses at the School of Visual Arts and RISD.

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