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Bernhard Lang

Critical Guides to Contemporary Composers
Brief Description
Bernhard Lang: Critical Guides to Contemporary Composers offers a critical guide and introduction to the work of Austrian composer Bernhard Lang (b. 1957). It identifies the phenomenon of repetition as a central concern in Lang’s thinking and making. The composer’s artistic practice is identified as one... Read More
Format: Paperback / softback
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A critical guide and introduction to the work of Austrian composer Bernhard Lang (b. 1957) - one of Europe’s foremost leading practitioners in contemporary music. It traces the phenomenon of repetition as it works in and through Lang’s oeuvre and investigates his use of textual quotation and musical borrowing. 42 b/w illus.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Bernhard Lang: Critical Guides to Contemporary Composers offers a critical guide and introduction to the work of Austrian composer Bernhard Lang (b. 1957). It identifies the phenomenon of repetition as a central concern in Lang’s thinking and making. The composer’s artistic practice is identified as one of ‘loop aesthetics’: a creative poetics in which repetition serves not only as methodology, but also as material, language, and subject matter.

The book is structured around the four central thematic nodes of philosophy, music, theatre, and politics. After introducing Lang as a composer whose work is thoroughly influenced by philosophical thought, the book develops a typology of musical repetition as it is explored and activated in Lang’s oeuvre.

Pointing towards the several repetitions within the performance of Lang’s works, the book explores the heavily trans-medial nature of the repeat across domains such as literature, dance, and theatre. Finally, the book investigates Lang’s use of textual quotation and musical borrowing.

Christine Dysers is a musicologist specialising in contemporary music aesthetics. Her research centres around repetition, politics, absence, the liminal, and the uncanny. This is the first full-length study of the works of Bernhard Lang and is a new volume in the Critical Guides to Contemporary Composers series from Intellect.

Series: Critical Guides to Contemporary Composers

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  • Mathias Spahlinger
    The first book-length study in English of composer Mathias Spahlinger, one of Germany’s leading practitioners of contemporary music. One of the most stimulating and provocative figures of the new music scene, Mathias Spahlinger has long been a touchstone for leftist, “critical” composition in Germany, yet his work has received very little attention in Anglophone scholarship until now. Spahlinger’s practice offers...
    Paperback
    $7599
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  • Bernhard Lang
    Bernhard Lang: Critical Guides to Contemporary Composers offers a critical guide and introduction to the work of Austrian composer Bernhard Lang (b. 1957). It identifies the phenomenon of repetition as a central concern in Lang’s thinking and making. The composer’s artistic practice is identified as one of ‘loop aesthetics’: a creative poetics in which repetition serves not only as methodology,...
    Paperback
    Sold Out

Book Details

INFORMATION

ISBN: 9781835953563

Publisher: Intellect

Format: Paperback / softback

Date Published: 24 July 2026

Country: United Kingdom

Imprint: Intellect Books

Illustration: 3 Halftones, black and white; 39 Illustrations, black and white

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 10.0mm

Width: 170.0mm

Height: 244.0mm

Weight: 319g

Pages: 190

About the Author

Dr Christine Dysers is an Assistant Professor in Music at Aalborg University. Her research is broadly concerned with music after 1989, with a particular focus on the aesthetics of repetition, music and the political, and the notion of the uncanny. Christine holds a PhD in music from City, University of London. Previously, she was affiliated with Columbia University as a Fulbright Visiting Scholar (2021) and with Uppsala University as a postdoctoral researcher (2022-25).

 

 

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