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Cinema I

The Movement-Image
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( 2,280 ratings, 86 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Cinema I by Gilles Deleuze explores the concept of the "movement-image" in film, analysing how cinema has evolved from a philosophical standpoint. Deleuze examines various directors and their works to illustrate how images and movement create meaning and affect the audience. Through this lens, the book offers insightful perspectives on how cinema constructs reality and impacts our understanding of the world.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

You might enjoy this book if you're intrigued by the philosophical exploration of film, especially if you're interested in how cinema can be understood through the lens of philosophical concepts related to movement and time. This book appeals to those who appreciate a deep analysis of the intersection between philosophy and film studies.

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Cinema I

"English translation first published in 1986 by The Athlone Press"--T.p. verso.

The first volume of Gilles Deleuze's landmark philosophical study of the art of film, now available in the Bloomsbury Revelations series.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his masterworks, Difference and Repetition and—with Felix Guattari—A Thousand Plateaus and Anti-Oedipus.

Cinema I is the first volume of Deleuze’s revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as “a logic of the cinema”, setting out to “isolate certain cinematographic concepts” philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.

Series: Bloomsbury Revelations

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Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Cinema I by Gilles Deleuze is appreciated as a philosophical exploration of cinema, rather than traditional film criticism. The book delves into how cinema reshapes our perception of time and movement, offering insights into semiotics and the ideological role of representational media. It contrasts pre-World War II cinema with post-World War II transformations, providing readers with tools to understand cinema beyond just a sequence of images, encouraging a deeper philosophical engagement.

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Book Details

INFORMATION

ISBN: 9781472508300

Publisher: Bloomsbury Publishing PLC

Format: Paperback / softback

Date Published: 24 October 2013

Country: United Kingdom

Imprint: Bloomsbury Academic

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 18.0mm

Width: 138.0mm

Height: 216.0mm

Weight: 377g

Pages: 304

About the Author

Gilles Deleuze (1925-1995) was one of the key figures in poststructuralism, and one of the most influential philosophers of the twentieth century. His major works include, with Felix Guattari, A Thousand Plateaus and Anti-Oedipus.

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