The Bloomsbury Handbook of Sound Art
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The Bloomsbury Handbook of Sound Art
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound.
Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulent field of academic critique and aesthetic analysis. Summoning artists, researchers, curators, and critics, this volume takes note of and reflects the most recent shifts and drifts in Sound Artβrooted in sonic histories and implying future trajectories.
Series: Bloomsbury Handbooks
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
The Wire calls it a timely and important collection that pushes debates on sound art into new territories, highlighting sound as a powerful operative force. Organised Sound praises the volume for applying social and art historical theory to sound art, especially its socially engaged and politically intentional works. SoundEffects and the Journal of Sonic commend it as an innovative, comprehensive, and essential resource for both theorists and practitioners.
Book Details
INFORMATION
ISBN: 9781501393112
Publisher: Bloomsbury Publishing Plc
Format: Paperback / softback
Date Published: 24 February 2022
Country: United States
Imprint: Bloomsbury Academic
Contributors:
- Edited by Professor Holger Schulze
- Edited by Professor Sanne Krogh Groth
- Edited by Sanne Krogh Groth
Audience: Tertiary education
DIMENSIONS
Spine width: 30.0mm
Width: 173.0mm
Height: 249.0mm
Weight: 1062g
Pages: 592
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About the Author
Sanne Krogh Groth is Associate Professor of Musicology at Lund University, Sweden. She is Office Director of the Sound Environment Centre, Lund University, and Co-Editor-in-Chief of the online journal Seismograf. She is author of the book Politics and Aesthetics in Electronic Music (2014) and is currently conducting field-based research on experimental music and de-colonial aesthetics in Indonesia.
Holger Schulze is Professor of Musicology at the University of Copenhagen, Denmark, and Principal Investigator at the Sound Studies Lab. He is the author of numerous books including Sound as Popular Culture (2016), The Sonic Persona (Bloomsbury, 2018), and Sound Works (Bloomsbury, 2019).
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